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    Fleetwood Mac's Tusk

    AvRob Trucks

    Häftad, Engelska, 2010

    Del i serien 33 1/3

    129 kr

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    Beskrivning

    "Tusk", the first record in history to cross the million dollar threshold in production costs, was the Fleetwood Mac's critically acclaimed, commercially disappointing 1979 double album. This book is an in-depth and 'official' look at one of the most unusual albums ever released by a major rock band. After "Rumours" became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led "Tusk" to become the first record in history to cross the million dollar threshold in production costs. Blame (or credit) Buckingham's public perception as a punctilious performer and producer on this, the Mac's critically acclaimed, commercially disappointing 1979 double album (it's said that Warner Brothers executives could see their Christmas bonuses flying out the window upon finally hearing "Tusk's" first rough cuts).But the 1975 addition of Buckingham and Stevie Nicks undeniably transformed Fleetwood Mac from a barely viable blues-based group into a radio powerhouse. "Rumours", the second LP by the Mac reconfiguration of Buckingham, one-time paramour Nicks, drummer Mick Fleetwood, bassist John McVie and his wife and keyboardist Christine, sold more than 20 million copies. But during its creation, relationships within the band broke down - Buckingham split from Nicks, McVie from McVie - leaving the follow-up "Tusk" as a bizarre and fractious assemblage held together only by Buckingham's much-documented, Brian Wilson - like obsession. What remains is Fleetwood Mac's "Apocalypse Now", their "White Album", the epic beginning of their ongoing end, a shotgun blast of musical spray. And, without question, the ballsiest venture in rock history. 'A growing Alexandria of rock criticism' - "Los Angeles Times, 2008". 'Ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". For more information on the series and on individual titles in the series, check out our blog.

    Produktinformation

    • Utgivningsdatum:2010-12-09
    • Mått:119 x 163 x 13 mm
    • Vikt:136 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:33 1/3
    • Antal sidor:144
    • Förlag:Continuum Publishing Corporation
    • ISBN:9780826429025

    Utforska kategorier

    • Populärmusik inom Kultur
    • Tonsättare och låtskrivare inom Kultur
    • Musiker, sångare och grupper inom Kultur

    Mer om författaren

    Rob Trucks is a freelance music and sports writer based in NYC. He has published four books on baseball, and one collection of interviews with American fiction writers.

    Recensioner i media

    [The] journalistic revelations and general insight add yet more layers to the double album's controversial standing.

    Innehållsförteckning

    • Acknowledgments Intro: The Warning ShotChapter OneWhat We Talk About When We Talk About Tusk Jonathan Segel of Camper Van BeethovenChapter ThreeWhat We Talk About When We Talk About Tusk Walter EganChapter FiveWhat We Talk About When We Talk About Tusk Kaki KingChapter SevenWhat We Talk About When We Talk About Tusk A.C. Newman of the New PornographersChapter NineWhat We Talk About When We Talk About Tusk Gretchen Heffler of the USC Spirit of Troy marching bandChapter ElevenWhat We Talk About When We Talk About Tusk Dan Boeckner and Hadji Bakara of Wolf ParadeChapter ThirteenWhat We Talk About When We Talk About Tusk Dave Portner, a/k/a Avey Tare, of Animal CollectiveChapter FifteenWhat We Talk About When We Talk About Tusk Michael G of Tusk, a Fleetwood Mac tribute bandChapter Seventeen

    Betyg & recensioner

    1/5