Horror and the Horror Film
1 200 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Du är på sajten för privatpersoner.
1 200 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Bruce F. Kawin is Professor of English and Film at the University of Colorado at Boulder. His books include ‘Telling It Again and Again: Repetition in Literature and Film’, ‘Mindscreen: Bergman, Godard, and First-Person Film’, ‘The Mind of the Novel: Reflexive Fiction and the Ineffable’, ‘Faulkner’s MGM Screenplays’ and ‘How Movies Work’. He is also the co-author of ‘A Short History of the Movies’.
“Bruce F. Kawin commences one of the most unusual genre studies in recent memory […He] employs the brief and precise declarative sentences traditionally found in instruction manuals to offer largely irrefutable observations about the mechanisms that horror films employ to manipulate viewers […] The result is a highly readable introduction to genre studies rendered in a style that is novel for its precision and brevity, as well as its emphasis on dispassionate observation rather than critical evaluation.” — John-Paul Checkett, “Video Watchdog”
Du är på sajten för privatpersoner.
1 200 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Bruce F. Kawin is Professor of English and Film at the University of Colorado at Boulder. His books include ‘Telling It Again and Again: Repetition in Literature and Film’, ‘Mindscreen: Bergman, Godard, and First-Person Film’, ‘The Mind of the Novel: Reflexive Fiction and the Ineffable’, ‘Faulkner’s MGM Screenplays’ and ‘How Movies Work’. He is also the co-author of ‘A Short History of the Movies’.
“Bruce F. Kawin commences one of the most unusual genre studies in recent memory […He] employs the brief and precise declarative sentences traditionally found in instruction manuals to offer largely irrefutable observations about the mechanisms that horror films employ to manipulate viewers […] The result is a highly readable introduction to genre studies rendered in a style that is novel for its precision and brevity, as well as its emphasis on dispassionate observation rather than critical evaluation.” — John-Paul Checkett, “Video Watchdog”