Grace Lees-Maffei is reader in Design History and TVAD Research Group co-ordinator at the University of Hertfordshire and managing editor of the Journal of Design History. She is the editor of Writing Design: Words and Objects (Bloomsbury Academic, 2011) and Iconic Designs: 50 Stories about 50 Things (Bloomsbury Academic, 2014), and co-editor of The Design History Reader (Bloomsbury Academic, 2010). She is also author of Design at Home (2013).Kjetil Fallan is associate professor of Design History at the University of Oslo. He is the author of Design History: Understanding Theory and Method (Bloomsbury Academic, 2010) and the editor of Scandinavian Design: Alternative Histories (Bloomsbury Academic, 2012) and is also an editor of the Journal of Design History.

Made in Italy is an original attempt to address the issue of 'Rethinking a Century of Italian Design'.

• Introduction: The History of Italian Design, Kjetil Fallan, University of Oslo, Norway, and Grace Lees-Maffei, University of Hertfordshire, UK1. A Historiography of Italian Design, Maddalena Dalla Mura, Libera Università di Bolzano, Italy, and Carlo Vinti, Università degli Studi di Camerino, ItalyPART 1: ACTORS2. Ettore Sottsass and Critical Design in Italy, 1965-1985, Penny Sparke, Kingston University, UK3. Domes to Domus (or how Roberto Mango brought the geodesic dome to the home of Italian design), Jeffrey T. Schnapp, Harvard University, USA4. Tomás Maldonado and the Impact of the HfG Ulm in Italy, Raimonda Riccini, Università Iuav di Venezia, ItalyPART 2: CRAFTS5. Craft, Industry and Art: ISIA (1922-1943) and the Roots of Italian Design Education, Elena Dellapiana, Politecnico di Torino, Italy, and Daniela Prina, Katholieke Universiteit Leuven, Belgium6. Manufactured Identities: Ceramics and the Making of (Made in) Italy, Lisa Hockemeyer, Politecnico di Milano, Italy, and Kingston University, UK7. Crafting a Design Counterculture: the Pastoral and the Primitive in Italian Radical Design, 1972–1976, Catharine Rossi, Kingston University, UKPART 3: SPACES8. Private Exhibitions: Galleries, Art and Interior Design, 1920-1960, Imma Forino, Politecnico di Milano, Italy9. Exhibiting Exhibitions: Designing and Displaying Fascism, Vanessa Rocco, Southern New Hampshire University, USA10. This Way to the Exit: The Re-Writing of the City through Graphic Design (1964-1989), Gabriele Oropallo, University of Oslo, NorwayPART 4: INDUSTRIES11. Designing a New Society: A Social History of Italian Car Design, Federico Paolini, Seconda Università degli Studi di Napoli, Italy12. Espresso by Design: The Creation of the Italian Coffee Machine, Jonathan Morris, University of Hertfordshire, UK13. Italian Fashion: The Metamorphosis of a Cultural Industry, Simona Segre Reinach, Università di Bologna, ItalyPART 5: MEDIATIONS14. Annus Mirabilis: 1954, Alberto Rosselli and the Institutionalization of Design Mediation, Kjetil Fallan, University of Oslo, Norway15. A Vehicle for 'Good Italians': User Design and the Vespa Clubs in Italy, Thomas Brandt, Norwegian University of Science and Technology, Trondheim, Norway16. ‘Made’ in England? The Mediation of Alessi S.p.A., Grace Lees-Maffei, University of Hertfordshire, UKNotes on ContributorsList of IllustrationsBibliographyIndex

Grace Lees-Maffei is reader in Design History and TVAD Research Group co-ordinator at the University of Hertfordshire and managing editor of the Journal of Design History. She is the editor of Writing Design: Words and Objects (Bloomsbury Academic, 2011) and Iconic Designs: 50 Stories about 50 Things (Bloomsbury Academic, 2014), and co-editor of The Design History Reader (Bloomsbury Academic, 2010). She is also author of Design at Home (2013).Kjetil Fallan is associate professor of Design History at the University of Oslo. He is the author of Design History: Understanding Theory and Method (Bloomsbury Academic, 2010) and the editor of Scandinavian Design: Alternative Histories (Bloomsbury Academic, 2012) and is also an editor of the Journal of Design History.

Made in Italy is an original attempt to address the issue of 'Rethinking a Century of Italian Design'.

• Introduction: The History of Italian Design, Kjetil Fallan, University of Oslo, Norway, and Grace Lees-Maffei, University of Hertfordshire, UK1. A Historiography of Italian Design, Maddalena Dalla Mura, Libera Università di Bolzano, Italy, and Carlo Vinti, Università degli Studi di Camerino, ItalyPART 1: ACTORS2. Ettore Sottsass and Critical Design in Italy, 1965-1985, Penny Sparke, Kingston University, UK3. Domes to Domus (or how Roberto Mango brought the geodesic dome to the home of Italian design), Jeffrey T. Schnapp, Harvard University, USA4. Tomás Maldonado and the Impact of the HfG Ulm in Italy, Raimonda Riccini, Università Iuav di Venezia, ItalyPART 2: CRAFTS5. Craft, Industry and Art: ISIA (1922-1943) and the Roots of Italian Design Education, Elena Dellapiana, Politecnico di Torino, Italy, and Daniela Prina, Katholieke Universiteit Leuven, Belgium6. Manufactured Identities: Ceramics and the Making of (Made in) Italy, Lisa Hockemeyer, Politecnico di Milano, Italy, and Kingston University, UK7. Crafting a Design Counterculture: the Pastoral and the Primitive in Italian Radical Design, 1972–1976, Catharine Rossi, Kingston University, UKPART 3: SPACES8. Private Exhibitions: Galleries, Art and Interior Design, 1920-1960, Imma Forino, Politecnico di Milano, Italy9. Exhibiting Exhibitions: Designing and Displaying Fascism, Vanessa Rocco, Southern New Hampshire University, USA10. This Way to the Exit: The Re-Writing of the City through Graphic Design (1964-1989), Gabriele Oropallo, University of Oslo, NorwayPART 4: INDUSTRIES11. Designing a New Society: A Social History of Italian Car Design, Federico Paolini, Seconda Università degli Studi di Napoli, Italy12. Espresso by Design: The Creation of the Italian Coffee Machine, Jonathan Morris, University of Hertfordshire, UK13. Italian Fashion: The Metamorphosis of a Cultural Industry, Simona Segre Reinach, Università di Bologna, ItalyPART 5: MEDIATIONS14. Annus Mirabilis: 1954, Alberto Rosselli and the Institutionalization of Design Mediation, Kjetil Fallan, University of Oslo, Norway15. A Vehicle for 'Good Italians': User Design and the Vespa Clubs in Italy, Thomas Brandt, Norwegian University of Science and Technology, Trondheim, Norway16. ‘Made’ in England? The Mediation of Alessi S.p.A., Grace Lees-Maffei, University of Hertfordshire, UKNotes on ContributorsList of IllustrationsBibliographyIndex

Grace Lees-Maffei is reader in Design History and TVAD Research Group co-ordinator at the University of Hertfordshire and managing editor of the Journal of Design History. She is the editor of Writing Design: Words and Objects (Bloomsbury Academic, 2011) and Iconic Designs: 50 Stories about 50 Things (Bloomsbury Academic, 2014), and co-editor of The Design History Reader (Bloomsbury Academic, 2010). She is also author of Design at Home (2013).Kjetil Fallan is associate professor of Design History at the University of Oslo. He is the author of Design History: Understanding Theory and Method (Bloomsbury Academic, 2010) and the editor of Scandinavian Design: Alternative Histories (Bloomsbury Academic, 2012) and is also an editor of the Journal of Design History.

Made in Italy is an original attempt to address the issue of 'Rethinking a Century of Italian Design'.

• Introduction: The History of Italian Design, Kjetil Fallan, University of Oslo, Norway, and Grace Lees-Maffei, University of Hertfordshire, UK1. A Historiography of Italian Design, Maddalena Dalla Mura, Libera Università di Bolzano, Italy, and Carlo Vinti, Università degli Studi di Camerino, ItalyPART 1: ACTORS2. Ettore Sottsass and Critical Design in Italy, 1965-1985, Penny Sparke, Kingston University, UK3. Domes to Domus (or how Roberto Mango brought the geodesic dome to the home of Italian design), Jeffrey T. Schnapp, Harvard University, USA4. Tomás Maldonado and the Impact of the HfG Ulm in Italy, Raimonda Riccini, Università Iuav di Venezia, ItalyPART 2: CRAFTS5. Craft, Industry and Art: ISIA (1922-1943) and the Roots of Italian Design Education, Elena Dellapiana, Politecnico di Torino, Italy, and Daniela Prina, Katholieke Universiteit Leuven, Belgium6. Manufactured Identities: Ceramics and the Making of (Made in) Italy, Lisa Hockemeyer, Politecnico di Milano, Italy, and Kingston University, UK7. Crafting a Design Counterculture: the Pastoral and the Primitive in Italian Radical Design, 1972–1976, Catharine Rossi, Kingston University, UKPART 3: SPACES8. Private Exhibitions: Galleries, Art and Interior Design, 1920-1960, Imma Forino, Politecnico di Milano, Italy9. Exhibiting Exhibitions: Designing and Displaying Fascism, Vanessa Rocco, Southern New Hampshire University, USA10. This Way to the Exit: The Re-Writing of the City through Graphic Design (1964-1989), Gabriele Oropallo, University of Oslo, NorwayPART 4: INDUSTRIES11. Designing a New Society: A Social History of Italian Car Design, Federico Paolini, Seconda Università degli Studi di Napoli, Italy12. Espresso by Design: The Creation of the Italian Coffee Machine, Jonathan Morris, University of Hertfordshire, UK13. Italian Fashion: The Metamorphosis of a Cultural Industry, Simona Segre Reinach, Università di Bologna, ItalyPART 5: MEDIATIONS14. Annus Mirabilis: 1954, Alberto Rosselli and the Institutionalization of Design Mediation, Kjetil Fallan, University of Oslo, Norway15. A Vehicle for 'Good Italians': User Design and the Vespa Clubs in Italy, Thomas Brandt, Norwegian University of Science and Technology, Trondheim, Norway16. ‘Made’ in England? The Mediation of Alessi S.p.A., Grace Lees-Maffei, University of Hertfordshire, UKNotes on ContributorsList of IllustrationsBibliographyIndex