Charis

Anne Chapin is Assistant Professor of Art History and Archaeology at Brevard College, USA

• Biography of Sara Anderson Immerwahr (Richard Liebhart); Bibliography of Sara Anderson Immerwahr (Rachel Frew). Part 1: Aegean Prehistory and the East. An Archaeology of Palatial Mason's Marks on Crete (Ian Begg); The Adoption of Pictorial Imagery in Minoan Wall Painting: A Comparativist Perspective (Charles Gates); Power, Privilege, and Landscape in Minoan Art (Anne P Chapin); The "Priest-King" Fresco from Knossos: Man, Woman, Priest, King, or Someone Else? (Maria C Shaw); Crocus Costumes in Aegean Art (Paul Rehak); Reconsidering the Room of the Ladies from Thera (Suzanne P Murray); From Knossos to Kavousi: The Popularizing of the Minoan Palace Goddess (Geraldine Gesell); Wanax to Wanax: Regional Trade Patterns in Mycenaean Crete (Halford W Haskell); The Early Mycenaean Lion Up to Date (Nancy R Thomas ); Some Observations on the "Zygouries" Kylix and Late Helladic IIIB Chronology (Patrick Thomas); Of Granaries and Games: Egyptian (Sarah P Morris); Stowaways in an Athenian Chest (John K Papadopoulos); In Search of Anatolian Apollo (Edwin L Brown); Ritual and Politics in Assyria: Neo-Assyrian Canephoric Stelae for Babylonia (Barbara N Porter ). Part II: The Classical World. Naming the Classical Style (Carol C Mattusch); Interlaced Fingers and Knotted Limbs: The Hostile Posture of Quarrelsome Ares on the Parthenon Frieze (Ann M Nicgorski); Classical Signs and Anti-Classical Signification in 4th Century Athenian Architecture (Rhys F Townsend); Family Portraits: Recognizing the Oikos on Attic Red-Figure Pottery (Robert F Sutton, Jr); For the Mother and for the Daughter: Some Thoughts on Dedications from Etruria and Praeneste (Nancy de Grummond); The Iconography, Typology and Interpretation of the Eastern Hadrianic Breastplate Type (Richard Gergel); Dedications of Roman Theaters (Mary C Sturgeon).