The story of Czech theatre in the 20th century involves generations of mesmerizing players and memorable productions. Beyond these artistic considerations, however, lies a larger story: a theatre that has resonated with the intense concerns of its audiences acquires a significance and a force beyond anything created by striking individual talents or random stage hits. Amid the variety of performances during the past 100 years, that basic and provocative reality has been repeatedly demonstrated, as Jarka Burian reveals in his history of the dramatic world of Czech theatre. Following a brief historical background, Burian provides a chronological series of perspectives and observations on the evolving nature of Czech theatre productions during this century in relation to their similarly evolving social and political contexts. Once Czechoslovak independence was achieved in 1918, a repeated interplay of theatre with political realities became the norm, sometimes stifling the creative urge but often producing even greater artistry. When playwright Vaclev Havel became president in 1990, this was but the latest and most celebrated example of the vital engagement between stage and society that has been a repeated condition of Czech theatre for the past 200 years. Underlying all questions of the Czech theatre's relevance to its audience is the historically and culturally shaped relationship between the two. In Jarka Burian's hands, it also becomes an extremely important touchstone for understanding the history of modern theatre within western culture.

The story of Czech theatre in the 20th century involves generations of mesmerizing players and memorable productions. Beyond these artistic considerations, however, lies a larger story: a theatre that has resonated with the intense concerns of its audiences acquires a significance and a force beyond anything created by striking individual talents or random stage hits. Amid the variety of performances during the past 100 years, that basic and provocative reality has been repeatedly demonstrated, as Jarka Burian reveals in his history of the dramatic world of Czech theatre. Following a brief historical background, Burian provides a chronological series of perspectives and observations on the evolving nature of Czech theatre productions during this century in relation to their similarly evolving social and political contexts. Once Czechoslovak independence was achieved in 1918, a repeated interplay of theatre with political realities became the norm, sometimes stifling the creative urge but often producing even greater artistry. When playwright Vaclev Havel became president in 1990, this was but the latest and most celebrated example of the vital engagement between stage and society that has been a repeated condition of Czech theatre for the past 200 years. Underlying all questions of the Czech theatre's relevance to its audience is the historically and culturally shaped relationship between the two. In Jarka Burian's hands, it also becomes an extremely important touchstone for understanding the history of modern theatre within western culture.