Painter, sculptor, writer and philosopher Lee Ufan (born 1936) first came to prominence in the late 1960s as one of the major proponents of the Japanese avant-garde group Mono-ha. Japan's first contemporary art movement to gain international recognition, the Mono-ha school of thought rejected Western notions of representation, choosing to focus on the relationships of materials and perceptions rather than on expression or intervention.

A new edition of a collection of writings first published in 2004, this volume features previously unpublished essays from 1967 to 2007 and a recent interview with Hans Ulrich Obrist. This edition has been published by Lisson Gallery and the Serpentine Galleries on the occasion of Lee Ufan’s 2018 outdoor commission Relatum-Stage at Serpentine Galleries, London.

Painter, sculptor, writer and philosopher Lee Ufan (born 1936) first came to prominence in the late 1960s as one of the major proponents of the Japanese avant-garde group Mono-ha. Japan's first contemporary art movement to gain international recognition, the Mono-ha school of thought rejected Western notions of representation, choosing to focus on the relationships of materials and perceptions rather than on expression or intervention.

A new edition of a collection of writings first published in 2004, this volume features previously unpublished essays from 1967 to 2007 and a recent interview with Hans Ulrich Obrist. This edition has been published by Lisson Gallery and the Serpentine Galleries on the occasion of Lee Ufan’s 2018 outdoor commission Relatum-Stage at Serpentine Galleries, London.

Painter, sculptor, writer and philosopher Lee Ufan (born 1936) first came to prominence in the late 1960s as one of the major proponents of the Japanese avant-garde group Mono-ha. Japan's first contemporary art movement to gain international recognition, the Mono-ha school of thought rejected Western notions of representation, choosing to focus on the relationships of materials and perceptions rather than on expression or intervention.

A new edition of a collection of writings first published in 2004, this volume features previously unpublished essays from 1967 to 2007 and a recent interview with Hans Ulrich Obrist. This edition has been published by Lisson Gallery and the Serpentine Galleries on the occasion of Lee Ufan’s 2018 outdoor commission Relatum-Stage at Serpentine Galleries, London.