Anita Singh is Professor in the Department of English at Banaras Hindu University, Varanasi, India. She received a Fulbright-Nehru Visiting Scholar Fellowship for the year 2013-2014 at the University of Virginia, USA. She was a fellow at the Indian Institute of Advanced Study at Shimla, India (2018–2020). Her recent publications include the two edited volumes Gender, Space, and Resistance: Women and Theatre in India (2013) and Hero and Hero Worship: Fandom in Modern India (2020). She has completed a major research project, sanctioned by the Indian Council of Social Science Research, on “Staging Gender: Performing Women in Ramlila of Ramnagar”. Dr Singh has published interviews with Indian women performers in the Asian Theatre Journal, contributed four chapters in the Routledge Handbook of Asian Theatre, ed. Siyuan Liu (2016) and was the guest editor for the special issue of the journal Gender Issues (Springer, 2018). She has also served as the conference chair for the Future of Women conference held in Malaysia (2018), Colombo, Sri Lanka (2019) and Bangalore (2020) and is the President of the Asian-African Association for Women, Gender and Sexuality (AAAWGS).

• 1. Introduction 2. Feminism and Folk Epic: Draupadi, Dharma, Performance, and Protest in Teejan Bai’s Pandavani episodes “Draupadi Vastraharan” and “Dushasan Vadh.” 3. Community Theatre: Performance as Radical Cultural Intervention in Sanjoy Ganguly’s “Sarama” and Shilpi Marwaha’s “Dastak.”4. Urban Proscenium Stage:Volatile Bodies, Celebratory Protests in Maya Krishna Rao’s “Walk” and Usha Ganguli’s “Hum Mukhatara.” 5. Conclusion

Anita Singh is Professor in the Department of English at Banaras Hindu University, Varanasi, India. She received a Fulbright-Nehru Visiting Scholar Fellowship for the year 2013-2014 at the University of Virginia, USA. She was a fellow at the Indian Institute of Advanced Study at Shimla, India (2018–2020). Her recent publications include the two edited volumes Gender, Space, and Resistance: Women and Theatre in India (2013) and Hero and Hero Worship: Fandom in Modern India (2020). She has completed a major research project, sanctioned by the Indian Council of Social Science Research, on “Staging Gender: Performing Women in Ramlila of Ramnagar”. Dr Singh has published interviews with Indian women performers in the Asian Theatre Journal, contributed four chapters in the Routledge Handbook of Asian Theatre, ed. Siyuan Liu (2016) and was the guest editor for the special issue of the journal Gender Issues (Springer, 2018). She has also served as the conference chair for the Future of Women conference held in Malaysia (2018), Colombo, Sri Lanka (2019) and Bangalore (2020) and is the President of the Asian-African Association for Women, Gender and Sexuality (AAAWGS).

• 1. Introduction 2. Feminism and Folk Epic: Draupadi, Dharma, Performance, and Protest in Teejan Bai’s Pandavani episodes “Draupadi Vastraharan” and “Dushasan Vadh.” 3. Community Theatre: Performance as Radical Cultural Intervention in Sanjoy Ganguly’s “Sarama” and Shilpi Marwaha’s “Dastak.”4. Urban Proscenium Stage:Volatile Bodies, Celebratory Protests in Maya Krishna Rao’s “Walk” and Usha Ganguli’s “Hum Mukhatara.” 5. Conclusion

Anita Singh is Professor in the Department of English at Banaras Hindu University, Varanasi, India. She received a Fulbright-Nehru Visiting Scholar Fellowship for the year 2013-2014 at the University of Virginia, USA. She was a fellow at the Indian Institute of Advanced Study at Shimla, India (2018–2020). Her recent publications include the two edited volumes Gender, Space, and Resistance: Women and Theatre in India (2013) and Hero and Hero Worship: Fandom in Modern India (2020). She has completed a major research project, sanctioned by the Indian Council of Social Science Research, on “Staging Gender: Performing Women in Ramlila of Ramnagar”. Dr Singh has published interviews with Indian women performers in the Asian Theatre Journal, contributed four chapters in the Routledge Handbook of Asian Theatre, ed. Siyuan Liu (2016) and was the guest editor for the special issue of the journal Gender Issues (Springer, 2018). She has also served as the conference chair for the Future of Women conference held in Malaysia (2018), Colombo, Sri Lanka (2019) and Bangalore (2020) and is the President of the Asian-African Association for Women, Gender and Sexuality (AAAWGS).

• 1. Introduction 2. Feminism and Folk Epic: Draupadi, Dharma, Performance, and Protest in Teejan Bai’s Pandavani episodes “Draupadi Vastraharan” and “Dushasan Vadh.” 3. Community Theatre: Performance as Radical Cultural Intervention in Sanjoy Ganguly’s “Sarama” and Shilpi Marwaha’s “Dastak.”4. Urban Proscenium Stage:Volatile Bodies, Celebratory Protests in Maya Krishna Rao’s “Walk” and Usha Ganguli’s “Hum Mukhatara.” 5. Conclusion