N. J. Allen is a social anthropologist and a retired Reader in the Social Anthropology of South Asia, University of Oxford, UK. His research interests are Himalayan studies, world-historical approach to kinship systems, sociology of Durkheim and more especially Mauss, and Indo-European cultural comparativism.

‘This is a volume for the ages. N. J. Allen is the dean of British comparativists; and no one has perceived more clearly or argued more persuasively for the shared structures of Greek and Sanskrit epic, features commonly held by cause of common ancestry. These twenty-four chapters are jewels, every one, to be read and re-read: rejoice in their brilliance.’Roger D. Woodard, Andrew van Vranken Raymond, Professor of the Classics, University of Buffalo (The State University of New York)‘Every educated person knows that the languages of north India are related to those of Europe and that they all derive, in the distant past, from an Indo-European forebear spoken on the steppes of Russia. But how many realize that the key motifs and stories of the Iliad and Odyssey – so often heralded as the beginning of European literature, somehow springing fully formed from the brain of Homer – in fact go back likewise to those ancient beginnings and share that origin with South Asia’s great epics, the Ramayana and the Mahābhārata? No one has pursued the comparisons that prove this common origin point with such tenacity and persistence as N. J. Allen. The publication of a collection of his essays on this theme, essays previously scattered in obscurity, is a major scholarly event and should mark the coming of age of Indo-European Cultural Comparativism.’David N. Gellner, Professor of Social Anthropology, University of Oxford‘N. J. Allen’s Arjuna–Odysseus extends the foundational work of Georges Dumézil by supplying an anthropological dimension to Indo-European studies. Allen brings to bear his sensibility as an ethnographer of South Asia, his long-term engagement with Greek and Indic texts, and an expansive knowledge of anthropological theory and comparative ethnography built up over decades of teaching. The result is a feast of insightful case studies that advance a new understanding of Indo-European cultural ideology while making a major contribution to the study of epic poetry in ancient Greece and India.’Charles Stewart, Professor of Anthropology, University College London

• List of figures. List of tables. Acknowledgements. List of abbreviations. Signs. Introduction 1. A starting point 2. Five relationships 3. Homer’s simile 4. Hero and horse 5. Yoga 6. Crocodiles and nymphs 7. Monkey and dog 8. Durgā and Athena 9. Draupadī and Penelope 10. Bhīṣma and Sarpedon 11. Hesiod’s Succession Myth 12. Five elements 13. Rings and rotations 14. Achilles’ shield 15. Dumézil and Dumont 16. Yudhiṣṭhira and Agamemnon 17. Kauravas and suitors 18. Hanging over abyss 19. Gods descend to battlefield 20. Heroes and supercategories 21. Cyavana and Prometheus 22. Telemachy 23. Droṇa and Chryses 24. Aśvatthāman and the Wooden Horse. Bibliography. Index.

N. J. Allen is a social anthropologist and a retired Reader in the Social Anthropology of South Asia, University of Oxford, UK. His research interests are Himalayan studies, world-historical approach to kinship systems, sociology of Durkheim and more especially Mauss, and Indo-European cultural comparativism.

‘This is a volume for the ages. N. J. Allen is the dean of British comparativists; and no one has perceived more clearly or argued more persuasively for the shared structures of Greek and Sanskrit epic, features commonly held by cause of common ancestry. These twenty-four chapters are jewels, every one, to be read and re-read: rejoice in their brilliance.’Roger D. Woodard, Andrew van Vranken Raymond, Professor of the Classics, University of Buffalo (The State University of New York)‘Every educated person knows that the languages of north India are related to those of Europe and that they all derive, in the distant past, from an Indo-European forebear spoken on the steppes of Russia. But how many realize that the key motifs and stories of the Iliad and Odyssey – so often heralded as the beginning of European literature, somehow springing fully formed from the brain of Homer – in fact go back likewise to those ancient beginnings and share that origin with South Asia’s great epics, the Ramayana and the Mahābhārata? No one has pursued the comparisons that prove this common origin point with such tenacity and persistence as N. J. Allen. The publication of a collection of his essays on this theme, essays previously scattered in obscurity, is a major scholarly event and should mark the coming of age of Indo-European Cultural Comparativism.’David N. Gellner, Professor of Social Anthropology, University of Oxford‘N. J. Allen’s Arjuna–Odysseus extends the foundational work of Georges Dumézil by supplying an anthropological dimension to Indo-European studies. Allen brings to bear his sensibility as an ethnographer of South Asia, his long-term engagement with Greek and Indic texts, and an expansive knowledge of anthropological theory and comparative ethnography built up over decades of teaching. The result is a feast of insightful case studies that advance a new understanding of Indo-European cultural ideology while making a major contribution to the study of epic poetry in ancient Greece and India.’Charles Stewart, Professor of Anthropology, University College London

• List of figures. List of tables. Acknowledgements. List of abbreviations. Signs. Introduction 1. A starting point 2. Five relationships 3. Homer’s simile 4. Hero and horse 5. Yoga 6. Crocodiles and nymphs 7. Monkey and dog 8. Durgā and Athena 9. Draupadī and Penelope 10. Bhīṣma and Sarpedon 11. Hesiod’s Succession Myth 12. Five elements 13. Rings and rotations 14. Achilles’ shield 15. Dumézil and Dumont 16. Yudhiṣṭhira and Agamemnon 17. Kauravas and suitors 18. Hanging over abyss 19. Gods descend to battlefield 20. Heroes and supercategories 21. Cyavana and Prometheus 22. Telemachy 23. Droṇa and Chryses 24. Aśvatthāman and the Wooden Horse. Bibliography. Index.

N. J. Allen is a social anthropologist and a retired Reader in the Social Anthropology of South Asia, University of Oxford, UK. His research interests are Himalayan studies, world-historical approach to kinship systems, sociology of Durkheim and more especially Mauss, and Indo-European cultural comparativism.

‘This is a volume for the ages. N. J. Allen is the dean of British comparativists; and no one has perceived more clearly or argued more persuasively for the shared structures of Greek and Sanskrit epic, features commonly held by cause of common ancestry. These twenty-four chapters are jewels, every one, to be read and re-read: rejoice in their brilliance.’Roger D. Woodard, Andrew van Vranken Raymond, Professor of the Classics, University of Buffalo (The State University of New York)‘Every educated person knows that the languages of north India are related to those of Europe and that they all derive, in the distant past, from an Indo-European forebear spoken on the steppes of Russia. But how many realize that the key motifs and stories of the Iliad and Odyssey – so often heralded as the beginning of European literature, somehow springing fully formed from the brain of Homer – in fact go back likewise to those ancient beginnings and share that origin with South Asia’s great epics, the Ramayana and the Mahābhārata? No one has pursued the comparisons that prove this common origin point with such tenacity and persistence as N. J. Allen. The publication of a collection of his essays on this theme, essays previously scattered in obscurity, is a major scholarly event and should mark the coming of age of Indo-European Cultural Comparativism.’David N. Gellner, Professor of Social Anthropology, University of Oxford‘N. J. Allen’s Arjuna–Odysseus extends the foundational work of Georges Dumézil by supplying an anthropological dimension to Indo-European studies. Allen brings to bear his sensibility as an ethnographer of South Asia, his long-term engagement with Greek and Indic texts, and an expansive knowledge of anthropological theory and comparative ethnography built up over decades of teaching. The result is a feast of insightful case studies that advance a new understanding of Indo-European cultural ideology while making a major contribution to the study of epic poetry in ancient Greece and India.’Charles Stewart, Professor of Anthropology, University College London

• List of figures. List of tables. Acknowledgements. List of abbreviations. Signs. Introduction 1. A starting point 2. Five relationships 3. Homer’s simile 4. Hero and horse 5. Yoga 6. Crocodiles and nymphs 7. Monkey and dog 8. Durgā and Athena 9. Draupadī and Penelope 10. Bhīṣma and Sarpedon 11. Hesiod’s Succession Myth 12. Five elements 13. Rings and rotations 14. Achilles’ shield 15. Dumézil and Dumont 16. Yudhiṣṭhira and Agamemnon 17. Kauravas and suitors 18. Hanging over abyss 19. Gods descend to battlefield 20. Heroes and supercategories 21. Cyavana and Prometheus 22. Telemachy 23. Droṇa and Chryses 24. Aśvatthāman and the Wooden Horse. Bibliography. Index.