Copyright in the Street

An Oral History of Creative Processes in Street Art and Graffiti Subcultures

AvEnrico Bonadio

Häftad, Engelska, 2023

366 kr

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Beskrivning

This book explores how copyright laws are perceived within street art and graffiti subcultures to examine how artists and writers view certain creative aspects of their own practice. Drawing on ethnographic research and fieldwork, the book gives voice to the main actors of these communities and highlights their feelings and opinions toward issues that are increasingly impacting their everyday life and work. It also touches on related and complementary issues, such as the 'gallerisation' or economic exploitation of these forms of art and the curious similarities between the graffiti and advertising worlds. Unique and comprehensive, Copyright on the Street brings the 'voice from the street' into the debate over the legal and non-legal protection of street art and graffiti.

Produktinformation

Utgivningsdatum:2023-04-27
Mått:152 x 228 x 10 mm
Vikt:270 g
Format:Häftad
Språk:Engelska
Antal sidor:176
Förlag:Cambridge University Press
ISBN:9781009198639

Utforska kategorier

Övrig bildkonst inom Kultur
Fastighets- och egendomsrätt inom Juridik
Immaterialrätt inom Juridik

Mer om författaren

Enrico Bonadio is Reader at City, University of London. He teaches, lectures and advises in the field of intellectual property (IP) law. He is editor of The Cambridge Handbook of Copyright in Street Art and Graffiti (2019) and Non-Conventional Copyright – Do New and Atypical Works Deserve Protection? (2018). Enrico is also a street and graffiti art aficionado.

Recensioner i media

'Bonadio has done very thorough research on graffiti and street art cultures and has included interviews, opinions and comments from some of its key players. The case studies and examples are unquestionably relevant, and useful for navigating a very real obstacle that creators of public art are faced with today.' Al Diaz, author of SAMO©…SINCE 1978

Innehållsförteckning

1. Introduction; 2. Creativity and originality of graffiti lettering; 3. Copyright within street art and graffiti circles; 4. Feelings about attribution and preservation; 5. The subcultures between an anti-establishment ethos and the mainstream; 6. Sharing, biting and social norms.