Sarah Rogers, PhD is a Visiting Assistant Professor of Art and Architecture at Middlebury College.

• Introduction. Modern Art in Lebanon: The Problematics of Forging an Authentic, National Art 1. Beirut as Cultural Capital: Cosmopolitanism in the Shadow of the Cold War 2. An Artistic Coup: Maryette Charlton and the Founding of the American University of Beirut’s Department of Fine Arts 3. The Artist as Cultural Diplomat: John Ferren in Beirut, 1963-64 4. Abstraction’s Universalist Assumptions: Local Debates on the Practice of Art 5. Figuration, International Alliances, and Palestinian Art in Beirut: The Painting of Tamam al-Akhal and Ismail Shammout Conclusion. Lessons from the Cold War and the Possibilities of Global Modernism

Sarah Rogers, PhD is a Visiting Assistant Professor of Art and Architecture at Middlebury College.

• Introduction. Modern Art in Lebanon: The Problematics of Forging an Authentic, National Art 1. Beirut as Cultural Capital: Cosmopolitanism in the Shadow of the Cold War 2. An Artistic Coup: Maryette Charlton and the Founding of the American University of Beirut’s Department of Fine Arts 3. The Artist as Cultural Diplomat: John Ferren in Beirut, 1963-64 4. Abstraction’s Universalist Assumptions: Local Debates on the Practice of Art 5. Figuration, International Alliances, and Palestinian Art in Beirut: The Painting of Tamam al-Akhal and Ismail Shammout Conclusion. Lessons from the Cold War and the Possibilities of Global Modernism

Sarah Rogers, PhD is a Visiting Assistant Professor of Art and Architecture at Middlebury College.

• Introduction. Modern Art in Lebanon: The Problematics of Forging an Authentic, National Art 1. Beirut as Cultural Capital: Cosmopolitanism in the Shadow of the Cold War 2. An Artistic Coup: Maryette Charlton and the Founding of the American University of Beirut’s Department of Fine Arts 3. The Artist as Cultural Diplomat: John Ferren in Beirut, 1963-64 4. Abstraction’s Universalist Assumptions: Local Debates on the Practice of Art 5. Figuration, International Alliances, and Palestinian Art in Beirut: The Painting of Tamam al-Akhal and Ismail Shammout Conclusion. Lessons from the Cold War and the Possibilities of Global Modernism