Sarah Rogers – författare

Introduces a previously unpublished major collection of Islamic, Modern, and Contemporary Middle Eastern art, notable for its exceptional range and breadth from earliest times to the present   The Farjam Collection of Islamic, and Modern and Contemporary Middle Eastern art, comprising over 5,000 artworks, is well known in the Middle East and to the cognoscenti but has remained unpublished until now. This two-volume publication published in four books comprises over 800 highlights from the collection, introducing it as a major resource for scholars, students, and bibliophiles. Unusual amongst collections of Islamic art, the exceptional range and breadth of this collection includes the arts of the Islamic world from earliest times up to and including the contemporary Middle East. This unique characteristic, represented across the themes of both volumes, provides an unusual cross-cultural experience demonstrating continuity, dialogue and influences—from within as well as in between the cultures—throughout centuries. Organised thematically with high quality photography, the book reflects current trends in the study of Islamic and Contemporary art through essays and entries written by eminent scholars.

A showcase of 500 highlights of the Farjam Collection, featuring painting, works on paper, photography, sculpture, installations, and videos  The Farjam Collection of Islamic, and Modern and Contemporary Middle Eastern art, comprising over 5,000 artworks owned by Dr Farhad Farjam, is a major collection well known in the Middle East and to the cognoscenti, but which has remained unpublished until now. This two-volume boxed set examines around 500 highlights from the Farjam Collection of Modern and Contemporary art from the Arab and Iranian worlds. Showcased with high-quality photography throughout, the expansive collection encompasses a wide variety of media, including painting, works on paper, photography, sculpture, installations, and videos. It features numerous treasures from across the twentieth and twenty-first centuries, including works by modern and contemporary artists such Dia al-Azzawi, Hassan Sharif, Mohamed Melehi, Bahman Mohassess, Hussein Bicar, Kadhim Haidar, Baya Mahieddine, Ayman Baalbaki, Rashid Rana, Fahrelnissa Zeid, Farhad Moshiri, Dana Awartani, Mounir Fatmi, Shezad Dawood, Mona Saudi, Susan Hefuna, Shirin Neshat, Mahmoud Said, and Sohrab Sepehri.  Bringing together historians, critics, and curators from around the globe to reflect on these works, through essays, entries, and interviews with leading artists, this volume demonstrates how this extraordinary collection highlights important trends and histories of modern and contemporary art of the Arab world, Iran, Turkey, and beyond.

Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s.Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism.This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.

Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s.Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism.This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.

Exam Board: CambridgeLevel: KS4Subject: Health & Social CareFirst Teaching: September 2016First Exam: June 2017Support your teaching of the new Cambridge Technicals 2016 suite with Cambridge Technical Level 3 Health & Social Care, developed in partnership between OCR and Hodder Education; this textbook covers each specialist pathway and ensures your ability to deliver a flexible course that is both vocationally focused and academically thorough.Cambridge Technical Level 3 Health & Social Care is matched exactly to the new specification and follows specialist pathways in health science, social care and support, and working with children and young people.- Ensures effective teaching of each specialist pathway offered within the qualification.- Focuses learning on the skills, knowledge and understanding demanded from employers and universities.- Provides ideas and exercises for the application of practical skills and knowledge.- Developed in partnership between Hodder Education and OCR, guaranteeing quality resources which match the specification perfectlyHodder Education have worked with OCR to make updates to our Cambridge Technicals textbooks to bring them more closely in line with the model assignment course requirements. We would like to let you know about a recent change to this textbook, updated pages which are now available free of charge as a PDF when you click on the 'Amended Pages' link on the left of this webpage.

Critically examining China’s Targeted Poverty Alleviation campaign, this book challenges the dominant narrative of a complete victory over poverty. Drawing on extensive fieldwork across multiple provinces, it examines how the Chinese state conceptualises and acts upon poverty as a technical, depoliticised issue, often through disruptive interventions such as mass resettlement. Drawing attention to the uncertain and enduring consequences of campaign-style governance, the book provides fresh insights into Chinese politics, development and political geography. It offers a different way of thinking about poor people and poor places in China, essential for researchers focused on poverty management and state power.