Anne Leonard is Manton Curator of Prints, Drawings, and Photographs at the Clark Art Institute in Williamstown, Massachusetts. She is co-editor of The Routledge Companion to Music and Visual Culture and author of The Tragic Muse: Art and Emotion, 1700–1900.

• Introduction: The Arabesque AestheticAnne LeonardChapter 1: Spatchcocking the Arabesque: Big Books, Industrial Design, and the Captivation of Islamic Art and ArchitectureMargaret S. GravesChapter 2: Poet, Artist, Arabesque: On Peter Cornelius’s Illustrations to Goethe’s FaustDavid E. WellberyChapter 3: The Lithographer’s Mark and the Magic of SynchronyCordula GreweChapter 4: The Decorative Line of the Nabis: Expressivity and Mild SubversionClément DessyChapter 5: Ephemeral Arabesque Timbres and the Exotic FeminineGurminder Kaur BhogalChapter 6: Arabesque in French Music after DebussyStephanie VenturinoChapter 7: Drawing a Line with the BodyJuliet BellowChapter 8: About An ArabesqueJonah Bokaer

Anne Leonard is Manton Curator of Prints, Drawings, and Photographs at the Clark Art Institute in Williamstown, Massachusetts. She is co-editor of The Routledge Companion to Music and Visual Culture and author of The Tragic Muse: Art and Emotion, 1700–1900.

• Introduction: The Arabesque AestheticAnne LeonardChapter 1: Spatchcocking the Arabesque: Big Books, Industrial Design, and the Captivation of Islamic Art and ArchitectureMargaret S. GravesChapter 2: Poet, Artist, Arabesque: On Peter Cornelius’s Illustrations to Goethe’s FaustDavid E. WellberyChapter 3: The Lithographer’s Mark and the Magic of SynchronyCordula GreweChapter 4: The Decorative Line of the Nabis: Expressivity and Mild SubversionClément DessyChapter 5: Ephemeral Arabesque Timbres and the Exotic FeminineGurminder Kaur BhogalChapter 6: Arabesque in French Music after DebussyStephanie VenturinoChapter 7: Drawing a Line with the BodyJuliet BellowChapter 8: About An ArabesqueJonah Bokaer

Anne Leonard is Manton Curator of Prints, Drawings, and Photographs at the Clark Art Institute in Williamstown, Massachusetts. She is co-editor of The Routledge Companion to Music and Visual Culture and author of The Tragic Muse: Art and Emotion, 1700–1900.

• Introduction: The Arabesque AestheticAnne LeonardChapter 1: Spatchcocking the Arabesque: Big Books, Industrial Design, and the Captivation of Islamic Art and ArchitectureMargaret S. GravesChapter 2: Poet, Artist, Arabesque: On Peter Cornelius’s Illustrations to Goethe’s FaustDavid E. WellberyChapter 3: The Lithographer’s Mark and the Magic of SynchronyCordula GreweChapter 4: The Decorative Line of the Nabis: Expressivity and Mild SubversionClément DessyChapter 5: Ephemeral Arabesque Timbres and the Exotic FeminineGurminder Kaur BhogalChapter 6: Arabesque in French Music after DebussyStephanie VenturinoChapter 7: Drawing a Line with the BodyJuliet BellowChapter 8: About An ArabesqueJonah Bokaer