Authorship and Identity in Late Thirteenth-Century Motets

AvCatherine A. Bradley

Häftad, Engelska, 2023

Del i serien Royal Musical Association Monographs

370 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

Fler format och utgåvor

Inbunden

1 126 kr

Beskrivning

Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities.

Produktinformation

Utgivningsdatum:2023-09-25
Mått:138 x 216 x 12 mm
Vikt:200 g
Format:Häftad
Språk:Engelska
Serie:Royal Musical Association Monographs
Antal sidor:136
Förlag:Taylor & Francis Ltd
ISBN:9781032194608

Utforska kategorier

Mer om författaren

Catherine A. Bradley is Professor at the University of Oslo.

Recensioner i media

Select Guide Rating

Innehållsförteckning

A Note on TranscriptionsContents of Montpellier Codex Fascicle 7Introduction1 Adam de la Halle’s Presence in the Final Fascicles of the Montpellier Codex2 Adam and Petrus de Cruce: The ‘Aucun…’ Opening and Questions of Chronology3 People and Places: Adam and an ‘Entre…’ Motet Tradition4 Petrus in the Montpellier Codex5 Non-Plainchant Tenor Quotations: Unwritten Songs and Questions of Compositional OwnershipConclusionsBibliography

Mer från samma författare

Polyphony in Medieval Paris

Catherine A. Bradley

Häftad, 2020

574 kr

Polyphony in Medieval Paris

Catherine A. Bradley

Inbunden, 2018

1 641 kr

Del 16

Montpellier Codex

Catherine A Bradley, Karen Desmond

Inbunden, 2018

1 260 kr

Music and Liturgy for the Benedicamus Domino C.800-1650

Catherine A Bradley

Häftad, 2024

1 019 kr

Mer från samma serie

Skryabin, Philosophy and the Music of Desire

Kenneth M. Smith

Inbunden, 2013

2 540 kr

Pre-history of ‘The Midsummer Marriage’

Roger Savage

Inbunden, 2019

1 008 kr

Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London

Cheryll Duncan

Inbunden, 2019

901 kr

Disinformation in Mass Media

Beverly Jerold

Inbunden, 2020

1 008 kr

Disinformation in Mass Media

Beverly Jerold

Häftad, 2021

434 kr

Upper-Voice Structures and Compositional Process in the Ars Nova Motet

Anna Zayaruznaya

Häftad, 2020

640 kr

Magister Jacobus de Ispania, Author of the Speculum musicae

Margaret Bent

Häftad, 2020

655 kr

'Ars musica' Attributed to Magister Lambertus/Aristoteles

Christian Meyer, translated by Karen Desmond

Häftad, 2020

714 kr

Cyclic Mass

James Cook

Häftad, 2020

714 kr

Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre

Margaret Seares

Häftad, 2020

714 kr

Du kanske också är intresserad av

10% rabatt på allt

Exit Adventskalender - Julens magi (SE)

Exit

499 kr