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    1. Samhälle och politik
    2. Samhälle och kultur

    Stages of Reckoning

    Antiracist and Decolonial Actor Training

    AvAmy Mihyang Ginther

    Häftad, Engelska, 2022

    Del i serien Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance

    527 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Stages of Reckoning is a crucial conversation about how racialized bodies and power intersect within actor training spaces.This book provokes embodied and intellectual discomfort for the reader to take risks with their ideologies, identities, and practices and to make new pedagogical choices for students with racialized identities. Centering the voices of actor trainers of color to acknowledge their personal experience and professional pedagogy as theory, this volume illuminates actionable ideas for text work, casting, voice, consent practices, and movement while offering decolonial approaches to current Eurocentric methods. These offerings invite the reader to create spaces where students can bring more of themselves, their communities, and their stories into their training and as fodder for performance making that will lead to a more just world.This book is for people in high/secondary schools, higher education, and private training studios who wish to teach and direct actors of color in ways that more fully honor their multiple identities.

    Produktinformation

    • Utgivningsdatum:2022-12-30
    • Mått:156 x 234 x 18 mm
    • Vikt:700 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance
    • Antal sidor:268
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781032225432

    Utforska kategorier

    • Samhälle och kultur inom Samhälle och politik
    • Konstböcker inom Kultur
    • Övriga konstformer inom Kultur

    Mer om författaren

    Amy Mihyang Ginther is an assistant professor in the Department of Performance, Play & Design at the University of California, Santa Cruz, USA.

    Innehållsförteckning

    • List of figuresList of contributorsAcknowledgementsForeword: navigating liberation: a conversation between friendsNicole Brewer and Walton WilsonIntroduction: why this book now?Amy Mihyang GintherPART IDistilling/grounding/performing identities1 Black queer autoethnographies: tools for equitable teaching and learning in predominantly white institutionsGregory King2 Societal othering of Asian Americans and its perpetuation through castingJoy Lanceta Coronel3 Embodying racial consciousness: white allyship as given circumstance and objective for the casting and coaching of sceneworkRachel E. BlackburnPART IIEmbodying disruption/abstention/resistance4 I’mma do me: code-switch resistance as collective liberation in voice and speech classesAlicia Richardson5 The erotic of abstinence: refusing the white-possessive and embracing settler abstinence in performance pedagogyMaria Teresa Houar6 Nepantla: lingering in-between to embody our voiceSayda TrujilloPART IIITraveling across time/space/language7 Representation matters: the why and how of decolonizing Stanislavski actor trainingAlison Nicole Vasquez8 Empowering the somatically othered actor through multilingual improvisation in trainingKristine Landon-Smith and Chris Hay9 The possibilities of paradox: decolonial Shakespeare process in practiceAmy Mihyang GintherPART IVTransforming across/through/around disciplinarity10 A time of protest: exploring activism and acting through Hip-Hop Pedagogy & Theatre of the OppressedDaphnie Sicre11 Whose body is dis: taksu, ase, Black queer intersections, and the awakening of the actor’s spiritual practice Budi Miller12 Stigmata: biography of an Arab female body in painMaiada AboudAfterword: morning rain, parting clouds, and what is to comeAmy Mihyang Ginther and Celia Mercedes Espinosa Index