Hanna B. Hölling is Research Professor, Bern University of Applied Sciences—Academy of the Arts and Honorary Fellow, Department of History of Art, University College London.Jules Pelta Feldman is a Postdoctoral Fellow, Bern University of Applied Sciences— Academy of the Arts.Emilie Magnin is a Doctoral Candidate at Bern University/ University of Applied Sciences—Academy of the Arts and a Conservator for Media Art and Installations at the Kunstmuseum Bern.

• List of figuresList of contributorsIntroduction: Caring for performance HANNA B. HÖLLING, JULES PELTA FELDMAN AND EMILIE MAGNINPART ICare: Theoretical entanglements1 Charisma and desire in the conservation of performance art PIP LAURENSON2 Not, yet: When our art is in our hands REBECCA SCHNEIDER AND HANNA B. HÖLLING3 Vitality and the conservation of performance HÉLIA MARÇAL4 Conserving the un-conservable: Documenting environmental performance for the twenty-first century GABRIELLA GIANNACHI5 Innovation and preservation: Shadreck Chirikure on the performance of heritage—A conversation with Hanna B. HöllingPART IIThe politics and institutions of care6 An experimental acquisition: Ralph Lemon’s Scaffold Room (2014)at the Walker IONA GOLDIE-SCOT7 In the shadow of the state: Collecting performance at IMMA andinstitutions of care in the Irish context BRIAN CASTRIOTA AND CLAIRE WALSH8 Towards a performance continuum: Archival strategies forperformance-based artworks FARRIS WAHBEH9 Peeling the paint off the walls: Kelli Morgan on Black performanceand racial justice in Western Institutions HANNA B. HOLLING, JULES PELTA FELDMAN AND EMILIE MAGNIN10 Performing the “Mask”: Kongo Astronauts (Eléonore Hellio andMichel Ekeba) on postcolonial entanglements HANNA B. HOLLING, EMILIE MAGNIN, VALERIAN MALY AND JACOB BADCOCKPART IIILiving conservation11 Knowledge has to live: Dread Scott on Slave RebellionReenactment (2019) JULES PELTA FELDMAN12 Conserving a performance about conservation: Care andpreservation in Mierle Laderman Ukeles’s maintenance art KAROLINA WILCZYN´ SKA13 Living materials: Ethics and principles for embodied stewardship CORI OLINGHOUSE AND MEGAN METCALF14 Precarious movements: Contemporary dance as contemporary art ERIN BRANNIGAN AND LOUISE LAWSON15 Potential afterlives: Cauleen Smith on the relation of film toperformance HANNA B. HÖLLING AND JULES PELTA FELDMANIndex

Hanna B. Hölling is Research Professor, Bern University of Applied Sciences—Academy of the Arts and Honorary Fellow, Department of History of Art, University College London.Jules Pelta Feldman is a Postdoctoral Fellow, Bern University of Applied Sciences— Academy of the Arts.Emilie Magnin is a Doctoral Candidate at Bern University/ University of Applied Sciences—Academy of the Arts and a Conservator for Media Art and Installations at the Kunstmuseum Bern.

• List of figuresList of contributorsIntroduction: Caring for performance HANNA B. HÖLLING, JULES PELTA FELDMAN AND EMILIE MAGNINPART ICare: Theoretical entanglements1 Charisma and desire in the conservation of performance art PIP LAURENSON2 Not, yet: When our art is in our hands REBECCA SCHNEIDER AND HANNA B. HÖLLING3 Vitality and the conservation of performance HÉLIA MARÇAL4 Conserving the un-conservable: Documenting environmental performance for the twenty-first century GABRIELLA GIANNACHI5 Innovation and preservation: Shadreck Chirikure on the performance of heritage—A conversation with Hanna B. HöllingPART IIThe politics and institutions of care6 An experimental acquisition: Ralph Lemon’s Scaffold Room (2014)at the Walker IONA GOLDIE-SCOT7 In the shadow of the state: Collecting performance at IMMA andinstitutions of care in the Irish context BRIAN CASTRIOTA AND CLAIRE WALSH8 Towards a performance continuum: Archival strategies forperformance-based artworks FARRIS WAHBEH9 Peeling the paint off the walls: Kelli Morgan on Black performanceand racial justice in Western Institutions HANNA B. HOLLING, JULES PELTA FELDMAN AND EMILIE MAGNIN10 Performing the “Mask”: Kongo Astronauts (Eléonore Hellio andMichel Ekeba) on postcolonial entanglements HANNA B. HOLLING, EMILIE MAGNIN, VALERIAN MALY AND JACOB BADCOCKPART IIILiving conservation11 Knowledge has to live: Dread Scott on Slave RebellionReenactment (2019) JULES PELTA FELDMAN12 Conserving a performance about conservation: Care andpreservation in Mierle Laderman Ukeles’s maintenance art KAROLINA WILCZYN´ SKA13 Living materials: Ethics and principles for embodied stewardship CORI OLINGHOUSE AND MEGAN METCALF14 Precarious movements: Contemporary dance as contemporary art ERIN BRANNIGAN AND LOUISE LAWSON15 Potential afterlives: Cauleen Smith on the relation of film toperformance HANNA B. HÖLLING AND JULES PELTA FELDMANIndex

Hanna B. Hölling is Research Professor, Bern University of Applied Sciences—Academy of the Arts and Honorary Fellow, Department of History of Art, University College London.Jules Pelta Feldman is a Postdoctoral Fellow, Bern University of Applied Sciences— Academy of the Arts.Emilie Magnin is a Doctoral Candidate at Bern University/ University of Applied Sciences—Academy of the Arts and a Conservator for Media Art and Installations at the Kunstmuseum Bern.

• List of figuresList of contributorsIntroduction: Caring for performance HANNA B. HÖLLING, JULES PELTA FELDMAN AND EMILIE MAGNINPART ICare: Theoretical entanglements1 Charisma and desire in the conservation of performance art PIP LAURENSON2 Not, yet: When our art is in our hands REBECCA SCHNEIDER AND HANNA B. HÖLLING3 Vitality and the conservation of performance HÉLIA MARÇAL4 Conserving the un-conservable: Documenting environmental performance for the twenty-first century GABRIELLA GIANNACHI5 Innovation and preservation: Shadreck Chirikure on the performance of heritage—A conversation with Hanna B. HöllingPART IIThe politics and institutions of care6 An experimental acquisition: Ralph Lemon’s Scaffold Room (2014)at the Walker IONA GOLDIE-SCOT7 In the shadow of the state: Collecting performance at IMMA andinstitutions of care in the Irish context BRIAN CASTRIOTA AND CLAIRE WALSH8 Towards a performance continuum: Archival strategies forperformance-based artworks FARRIS WAHBEH9 Peeling the paint off the walls: Kelli Morgan on Black performanceand racial justice in Western Institutions HANNA B. HOLLING, JULES PELTA FELDMAN AND EMILIE MAGNIN10 Performing the “Mask”: Kongo Astronauts (Eléonore Hellio andMichel Ekeba) on postcolonial entanglements HANNA B. HOLLING, EMILIE MAGNIN, VALERIAN MALY AND JACOB BADCOCKPART IIILiving conservation11 Knowledge has to live: Dread Scott on Slave RebellionReenactment (2019) JULES PELTA FELDMAN12 Conserving a performance about conservation: Care andpreservation in Mierle Laderman Ukeles’s maintenance art KAROLINA WILCZYN´ SKA13 Living materials: Ethics and principles for embodied stewardship CORI OLINGHOUSE AND MEGAN METCALF14 Precarious movements: Contemporary dance as contemporary art ERIN BRANNIGAN AND LOUISE LAWSON15 Potential afterlives: Cauleen Smith on the relation of film toperformance HANNA B. HÖLLING AND JULES PELTA FELDMANIndex