This book focuses on performance and performance-based artworks as seenthrough the lens of conservation, which has long been overlooked in the largertheoretical debates about whether and how performance remains.Unraveling the complexities involved in the conservation of performance,Performance: The Ethics and the Politics of Conservation and Care (vol. 1)brings this new understanding to bear in examining performance as an object ofstudy, experience, acquisition, and care. In so doing, it presents both theoreticalframeworks and functional paradigms for thinking about—and enacting—theconservation of performance. Further, while the conservation of performance isundertheorized, performance is nevertheless increasingly entering the artmarket and the museum, meaning that there is an urgent need for discourse onhow to care for these works long-term. In recent years, a few pioneering conservators,curators, and scholars have begun to create frameworks for the longtermcare of performance. This volume presents, explicates, and contextualizestheir work so that a larger discourse can commence. It will thus serve the needsof conservation students and professors, for whom literature on this subject issorely needed.This interdisciplinary book thus implements a novel rethinking of performancethat will challenge and revitalize its conception in many fields, such as art history,theater, performance studies, heritage studies, and anthropology.

This book focuses on performance and performance-based artworks as seenthrough the lens of conservation, which has long been overlooked in the largertheoretical debates about whether and how performance remains.Unraveling the complexities involved in the conservation of performance,Performance: The Ethics and the Politics of Conservation and Care (vol. 1)brings this new understanding to bear in examining performance as an object ofstudy, experience, acquisition, and care. In so doing, it presents both theoreticalframeworks and functional paradigms for thinking about—and enacting—theconservation of performance. Further, while the conservation of performance isundertheorized, performance is nevertheless increasingly entering the artmarket and the museum, meaning that there is an urgent need for discourse onhow to care for these works long-term. In recent years, a few pioneering conservators,curators, and scholars have begun to create frameworks for the longtermcare of performance. This volume presents, explicates, and contextualizestheir work so that a larger discourse can commence. It will thus serve the needsof conservation students and professors, for whom literature on this subject issorely needed.This interdisciplinary book thus implements a novel rethinking of performancethat will challenge and revitalize its conception in many fields, such as art history,theater, performance studies, heritage studies, and anthropology.

Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation.Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, musicology, dance, law, heritage studies, and other fields. While its focus is on performance as understood in the context of contemporary art, the book’s notion of performance is much wider, including other media such as music, theater, and dance as well as an open-ended concept of performance as a vital force across culture(s).While providing cutting-edge research on an emerging and important topic, this volume remains accessible to all interested readers, allowing it to serve as a singularly valuable resource for museum professionals, scholars, students, and practitioners.

Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation.Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, musicology, dance, law, heritage studies, and other fields. While its focus is on performance as understood in the context of contemporary art, the book’s notion of performance is much wider, including other media such as music, theater, and dance as well as an open-ended concept of performance as a vital force across culture(s).While providing cutting-edge research on an emerging and important topic, this volume remains accessible to all interested readers, allowing it to serve as a singularly valuable resource for museum professionals, scholars, students, and practitioners.

This book focuses on performance and performance-based artworks as seenthrough the lens of conservation, which has long been overlooked in the largertheoretical debates about whether and how performance remains.Unraveling the complexities involved in the conservation of performance,Performance: The Ethics and the Politics of Conservation and Care (vol. 1)brings this new understanding to bear in examining performance as an object ofstudy, experience, acquisition, and care. In so doing, it presents both theoreticalframeworks and functional paradigms for thinking about—and enacting—theconservation of performance. Further, while the conservation of performance isundertheorized, performance is nevertheless increasingly entering the artmarket and the museum, meaning that there is an urgent need for discourse onhow to care for these works long-term. In recent years, a few pioneering conservators,curators, and scholars have begun to create frameworks for the longtermcare of performance. This volume presents, explicates, and contextualizestheir work so that a larger discourse can commence. It will thus serve the needsof conservation students and professors, for whom literature on this subject issorely needed.This interdisciplinary book thus implements a novel rethinking of performancethat will challenge and revitalize its conception in many fields, such as art history,theater, performance studies, heritage studies, and anthropology.

This book focuses on performance and performance-based artworks as seenthrough the lens of conservation, which has long been overlooked in the largertheoretical debates about whether and how performance remains.Unraveling the complexities involved in the conservation of performance,Performance: The Ethics and the Politics of Conservation and Care (vol. 1)brings this new understanding to bear in examining performance as an object ofstudy, experience, acquisition, and care. In so doing, it presents both theoreticalframeworks and functional paradigms for thinking about—and enacting—theconservation of performance. Further, while the conservation of performance isundertheorized, performance is nevertheless increasingly entering the artmarket and the museum, meaning that there is an urgent need for discourse onhow to care for these works long-term. In recent years, a few pioneering conservators,curators, and scholars have begun to create frameworks for the longtermcare of performance. This volume presents, explicates, and contextualizestheir work so that a larger discourse can commence. It will thus serve the needsof conservation students and professors, for whom literature on this subject issorely needed.This interdisciplinary book thus implements a novel rethinking of performancethat will challenge and revitalize its conception in many fields, such as art history,theater, performance studies, heritage studies, and anthropology.

Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation.Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, musicology, dance, law, heritage studies, and other fields. While its focus is on performance as understood in the context of contemporary art, the book’s notion of performance is much wider, including other media such as music, theater, and dance as well as an open-ended concept of performance as a vital force across culture(s).While providing cutting-edge research on an emerging and important topic, this volume remains accessible to all interested readers, allowing it to serve as a singularly valuable resource for museum professionals, scholars, students, and practitioners.

Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation.Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, musicology, dance, law, heritage studies, and other fields. While its focus is on performance as understood in the context of contemporary art, the book’s notion of performance is much wider, including other media such as music, theater, and dance as well as an open-ended concept of performance as a vital force across culture(s).While providing cutting-edge research on an emerging and important topic, this volume remains accessible to all interested readers, allowing it to serve as a singularly valuable resource for museum professionals, scholars, students, and practitioners.