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Nithikul Nimkulrat, Camilla Groth - Craft and Design Practice from an Embodied Perspective, Häftad

Häftad, Engelska, 2026

Craft and Design Practice from an Embodied Perspective

Av Nithikul Nimkulrat, Camilla Groth

Del i serien Routledge Advances in Art and Visual Studies

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Beskrivning
This book brings together contributors from multiple disciplines, such as crafts, design, art education, cognitive philosophy, and sociology, to discuss craft and design practice from an embodied perspective.Through theoretical overviews of embodied cognition and research-based cases that involve the researchers’ making experiences, different phenomena of human‑material interaction are presented, analysed, and discussed. The practical cases exemplify ways in which embodied notions show up in action. Contributors examine topics such as the embodied basis of craft activities and material manipulation, experiential knowledge and skill learning, reflection in and on action, and material dialogues. Several chapters specifically discuss the hybrid forms of analogue and digital crafting that increasingly takes place in the field of crafts and design, and the changed notions of material engagement that this entails.The book will appeal to scholars of crafts, design, art education, anthropology, and sociology.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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Nithikul Nimkulrat is Associate Professor at OCAD University, Canada.Camilla Groth is Associate Professor at University of South-Eastern Norway, Norway.

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“This splendid collection advances our understanding of embodied cognition and experiential knowledge in craftwork and sets the pace for future theory. Its multidisciplinary cast of authors deliver unique insights into human–material interactions, skilled situated practice and the dynamics of thinking through making – both in traditional crafts and the emerging digital and virtual realms.”Trevor H. J. Marchand, SOAS, University of London“This book shines a light on the nature and value of embodied experiences within the spheres of making and materiality. The various chapters bring ideas around becoming, feeling, well-being, interconnection and relationality to the fore, which are all critical aspects of craft and design practices that seek to counter dominate modes of production and affect positive change. I would recommend this book to those who wish to establish, understand, and champion such practice.”Faith Kane, Toi Rauwhārangi College of Creative Arts, Massey University

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