First published in 1952, John Constable and the Fishers is based on original letters which have never been published in full before. These have been woven into a connected narrative dealing with the friendship which existed between Constable and various members of the Fisher family, more particularly the Bishop of Salisbury (a personal friend of George III who entrusted him with the education of Princess Charlotte as heiress to the throne) and his nephew the Archdeacon of Berkshire. The Archdeacon’s letters give a picture of life in a cathedral closed and country vicarages, reminiscent of Trollope’s Barchester and Thomas Hardy’s Wessex. In return Constable confides his ideals and ambitions; and as Mr. Grigson suggests in his introduction, the encouragement he received from the Fishers may have had a decisive effect on the future of landscape art. The letters are fully annotated and are illustrated with connected works done by Constable. This book will of interest to students of history, art and literature.

First published in 1952, John Constable and the Fishers is based on original letters which have never been published in full before. These have been woven into a connected narrative dealing with the friendship which existed between Constable and various members of the Fisher family, more particularly the Bishop of Salisbury (a personal friend of George III who entrusted him with the education of Princess Charlotte as heiress to the throne) and his nephew the Archdeacon of Berkshire. The Archdeacon’s letters give a picture of life in a cathedral closed and country vicarages, reminiscent of Trollope’s Barchester and Thomas Hardy’s Wessex. In return Constable confides his ideals and ambitions; and as Mr. Grigson suggests in his introduction, the encouragement he received from the Fishers may have had a decisive effect on the future of landscape art. The letters are fully annotated and are illustrated with connected works done by Constable. This book will of interest to students of history, art and literature.