Alexia Petsalis-Diomidis is Senior Lecturer in Classics at the University of St Andrews. She researches classical material culture in the Greek world, and its reception in the eighteenth and nineteenth centuries. The body and travel are major themes in her work. She searches out marginalised voices and explores intimate, small-scale encounters with objects. Her publications include Drawing the Greek Vase (co-editor C. Meyer, Oxford University Press,2023), The Classical Vase Transformed. Consumption, Reproduction, and Class in Eighteenth- and Nineteenth-Century Britain (with E. Hall, Oxford University Press, 2020), and Truly beyond Wonders. Aelius Aristides and the Cult of Asklepios (Oxford University Press, 2010).

• IntroductionChapter 1A Granular Approach to Ioannis Makriyannis (1797-1864) and Antiquities: Replication, Domesticity and MultivalenceAlexia Petsalis-DiomidisChapter 2“Viewing And Admiring” (Seyr Ü Temaşa): Foreign Travellers and Antiquarians in Ottoman Documents, ca. 1790-1830Edhem EldemChapter 3Entering the Peasant’s Cottage: Vernacular Architecture of Ottoman Greece through the Eyes of Western and Local TravellersNikos MagouliotisChapter 4Ethiopians and Arrowheads: Marginal Perspectives on The Marathon SorosEstelle StrazdinsChapter 5Collections Of Antiquities in Athens on the Eve of the Greek RevolutionAlessia ZambonChapter 6Marginal Voices, Ethnographic Judgement and Antiquarian Self-Definition in Edward Daniel Clarke’s TravelsJason KönigChapter 7Travelling In Europe, Exploring Greek Identity: Orientalism And “Occidentalism” in the Diary of Constantine Karatzas (1790-1792)Charalampos MinaoglouChapter 8Perceptions of Ancient Remains in Ottoman Anatolia in The Mid-Nineteenth Century: Modernity, Local Society, And Diverse Ways of Being GreekAyşe OzilChapter 9The Travel Journal of James Thoburn in The Ottoman Empire (1793-1798)Michael Metcalfe

Alexia Petsalis-Diomidis is Senior Lecturer in Classics at the University of St Andrews. She researches classical material culture in the Greek world, and its reception in the eighteenth and nineteenth centuries. The body and travel are major themes in her work. She searches out marginalised voices and explores intimate, small-scale encounters with objects. Her publications include Drawing the Greek Vase (co-editor C. Meyer, Oxford University Press,2023), The Classical Vase Transformed. Consumption, Reproduction, and Class in Eighteenth- and Nineteenth-Century Britain (with E. Hall, Oxford University Press, 2020), and Truly beyond Wonders. Aelius Aristides and the Cult of Asklepios (Oxford University Press, 2010).

• IntroductionChapter 1A Granular Approach to Ioannis Makriyannis (1797-1864) and Antiquities: Replication, Domesticity and MultivalenceAlexia Petsalis-DiomidisChapter 2“Viewing And Admiring” (Seyr Ü Temaşa): Foreign Travellers and Antiquarians in Ottoman Documents, ca. 1790-1830Edhem EldemChapter 3Entering the Peasant’s Cottage: Vernacular Architecture of Ottoman Greece through the Eyes of Western and Local TravellersNikos MagouliotisChapter 4Ethiopians and Arrowheads: Marginal Perspectives on The Marathon SorosEstelle StrazdinsChapter 5Collections Of Antiquities in Athens on the Eve of the Greek RevolutionAlessia ZambonChapter 6Marginal Voices, Ethnographic Judgement and Antiquarian Self-Definition in Edward Daniel Clarke’s TravelsJason KönigChapter 7Travelling In Europe, Exploring Greek Identity: Orientalism And “Occidentalism” in the Diary of Constantine Karatzas (1790-1792)Charalampos MinaoglouChapter 8Perceptions of Ancient Remains in Ottoman Anatolia in The Mid-Nineteenth Century: Modernity, Local Society, And Diverse Ways of Being GreekAyşe OzilChapter 9The Travel Journal of James Thoburn in The Ottoman Empire (1793-1798)Michael Metcalfe

Alexia Petsalis-Diomidis is Senior Lecturer in Classics at the University of St Andrews. She researches classical material culture in the Greek world, and its reception in the eighteenth and nineteenth centuries. The body and travel are major themes in her work. She searches out marginalised voices and explores intimate, small-scale encounters with objects. Her publications include Drawing the Greek Vase (co-editor C. Meyer, Oxford University Press,2023), The Classical Vase Transformed. Consumption, Reproduction, and Class in Eighteenth- and Nineteenth-Century Britain (with E. Hall, Oxford University Press, 2020), and Truly beyond Wonders. Aelius Aristides and the Cult of Asklepios (Oxford University Press, 2010).

• IntroductionChapter 1A Granular Approach to Ioannis Makriyannis (1797-1864) and Antiquities: Replication, Domesticity and MultivalenceAlexia Petsalis-DiomidisChapter 2“Viewing And Admiring” (Seyr Ü Temaşa): Foreign Travellers and Antiquarians in Ottoman Documents, ca. 1790-1830Edhem EldemChapter 3Entering the Peasant’s Cottage: Vernacular Architecture of Ottoman Greece through the Eyes of Western and Local TravellersNikos MagouliotisChapter 4Ethiopians and Arrowheads: Marginal Perspectives on The Marathon SorosEstelle StrazdinsChapter 5Collections Of Antiquities in Athens on the Eve of the Greek RevolutionAlessia ZambonChapter 6Marginal Voices, Ethnographic Judgement and Antiquarian Self-Definition in Edward Daniel Clarke’s TravelsJason KönigChapter 7Travelling In Europe, Exploring Greek Identity: Orientalism And “Occidentalism” in the Diary of Constantine Karatzas (1790-1792)Charalampos MinaoglouChapter 8Perceptions of Ancient Remains in Ottoman Anatolia in The Mid-Nineteenth Century: Modernity, Local Society, And Diverse Ways of Being GreekAyşe OzilChapter 9The Travel Journal of James Thoburn in The Ottoman Empire (1793-1798)Michael Metcalfe