Lara Herring is a lecturer in the School of Arts and Media at the University of Salford in the UK. Coming from a film production background, Lara’s research is largely centred around film industry analysis, framed by cinematic geopolitics and the role of cinema in communicating national identity.

• IntroductionGlobal Hollywood in the Post-postclassical Era: Soft Power, Culture, and Global RelationsBecoming Legendary: Selling the Thomas Tull MythologyLegendary Goes East: 'China-focus' and 'China-strategy' in Post-postclassical HollywoodWelcome to Chinawood? Navigating the Co-production Process in The Great Wall (2016)Post-postclassical Hollywood and the 'Global Audience': The Marketing, Reception, and Lessons of The Great Wall (2016)China and Hollywood Redux: Wanda’s Acquisition of Legendary and the Fall Back of Hollywood-China RelationsConclusion

Lara Herring is a lecturer in the School of Arts and Media at the University of Salford in the UK. Coming from a film production background, Lara’s research is largely centred around film industry analysis, framed by cinematic geopolitics and the role of cinema in communicating national identity.

• IntroductionGlobal Hollywood in the Post-postclassical Era: Soft Power, Culture, and Global RelationsBecoming Legendary: Selling the Thomas Tull MythologyLegendary Goes East: 'China-focus' and 'China-strategy' in Post-postclassical HollywoodWelcome to Chinawood? Navigating the Co-production Process in The Great Wall (2016)Post-postclassical Hollywood and the 'Global Audience': The Marketing, Reception, and Lessons of The Great Wall (2016)China and Hollywood Redux: Wanda’s Acquisition of Legendary and the Fall Back of Hollywood-China RelationsConclusion

Lara Herring is a lecturer in the School of Arts and Media at the University of Salford in the UK. Coming from a film production background, Lara’s research is largely centred around film industry analysis, framed by cinematic geopolitics and the role of cinema in communicating national identity.

• IntroductionGlobal Hollywood in the Post-postclassical Era: Soft Power, Culture, and Global RelationsBecoming Legendary: Selling the Thomas Tull MythologyLegendary Goes East: 'China-focus' and 'China-strategy' in Post-postclassical HollywoodWelcome to Chinawood? Navigating the Co-production Process in The Great Wall (2016)Post-postclassical Hollywood and the 'Global Audience': The Marketing, Reception, and Lessons of The Great Wall (2016)China and Hollywood Redux: Wanda’s Acquisition of Legendary and the Fall Back of Hollywood-China RelationsConclusion