Marta Jecu is an integrated researcher and professor at Lusófona University, Lisbon, Portugal, and an independent curator.

• Introduction: Conceptual Art as Method Part 1: Inside the Art Museum: Rethinking Museology 1. Imagine! Reveal! Invade! How 1970s Performance Art Contributed to a Critical Museology 2. Art and Social Agency in a State of (Post)Transition 3. Disruption at Work: Brook Andrew Inside the Museum 4. Curatorial Practice as Conceptual Art: The Rijksmuseum’s Slavery (2021) & The Fitzwilliam Museum’s Black Atlantic: Power, People, resistance (2023 & 2025) Part 2: Inside the Material Culture Museum: Conceptual Art in a Sociomuseological Perspective 5. Building the School of Thought of Sociomuseology: Paths Taken and Challenges 6. Beyond the Colonial Canon at the Musée de l’Homme, Paris. Yto Barrada Reads Thérèse Rivière’s Archives 7. Innovation and Renovation at the Afrikamuseum, Tervuren (A Conversation with Christine Bluard) 8. Re-embodying Museum Objects: Rosanna Raymond’s Acti.VĀ.tions and the Question of the Object in New Museology 9. Artist Intervention, by its Very Definition, Cannot Dismantle the Master’s House Part 3: Conceptualism and a Future-oriented Museum 10. Dialogues with Museums in Angola and Beyond (A Conversation with Paula Nascimento) 11. The Metabolic Museum–University (MM–U) and Other Projects (A Conversation with Clémentine Deliss) 12. Home Museum: Challenging Western Museological Practices Through Inclusive Participation in Lagos, Nigeria 13. Museums in Tension: Critical Encounters and Insurgent Practices 14. Museums and Climate: From Institutional Critique to the Ecosocial Museum 15. Curating as open process: constructing conversations between political ecology and artistic research that shift institutional practices

Marta Jecu is an integrated researcher and professor at Lusófona University, Lisbon, Portugal, and an independent curator.

• Introduction: Conceptual Art as Method Part 1: Inside the Art Museum: Rethinking Museology 1. Imagine! Reveal! Invade! How 1970s Performance Art Contributed to a Critical Museology 2. Art and Social Agency in a State of (Post)Transition 3. Disruption at Work: Brook Andrew Inside the Museum 4. Curatorial Practice as Conceptual Art: The Rijksmuseum’s Slavery (2021) & The Fitzwilliam Museum’s Black Atlantic: Power, People, resistance (2023 & 2025) Part 2: Inside the Material Culture Museum: Conceptual Art in a Sociomuseological Perspective 5. Building the School of Thought of Sociomuseology: Paths Taken and Challenges 6. Beyond the Colonial Canon at the Musée de l’Homme, Paris. Yto Barrada Reads Thérèse Rivière’s Archives 7. Innovation and Renovation at the Afrikamuseum, Tervuren (A Conversation with Christine Bluard) 8. Re-embodying Museum Objects: Rosanna Raymond’s Acti.VĀ.tions and the Question of the Object in New Museology 9. Artist Intervention, by its Very Definition, Cannot Dismantle the Master’s House Part 3: Conceptualism and a Future-oriented Museum 10. Dialogues with Museums in Angola and Beyond (A Conversation with Paula Nascimento) 11. The Metabolic Museum–University (MM–U) and Other Projects (A Conversation with Clémentine Deliss) 12. Home Museum: Challenging Western Museological Practices Through Inclusive Participation in Lagos, Nigeria 13. Museums in Tension: Critical Encounters and Insurgent Practices 14. Museums and Climate: From Institutional Critique to the Ecosocial Museum 15. Curating as open process: constructing conversations between political ecology and artistic research that shift institutional practices

Marta Jecu is an integrated researcher and professor at Lusófona University, Lisbon, Portugal, and an independent curator.

• Introduction: Conceptual Art as Method Part 1: Inside the Art Museum: Rethinking Museology 1. Imagine! Reveal! Invade! How 1970s Performance Art Contributed to a Critical Museology 2. Art and Social Agency in a State of (Post)Transition 3. Disruption at Work: Brook Andrew Inside the Museum 4. Curatorial Practice as Conceptual Art: The Rijksmuseum’s Slavery (2021) & The Fitzwilliam Museum’s Black Atlantic: Power, People, resistance (2023 & 2025) Part 2: Inside the Material Culture Museum: Conceptual Art in a Sociomuseological Perspective 5. Building the School of Thought of Sociomuseology: Paths Taken and Challenges 6. Beyond the Colonial Canon at the Musée de l’Homme, Paris. Yto Barrada Reads Thérèse Rivière’s Archives 7. Innovation and Renovation at the Afrikamuseum, Tervuren (A Conversation with Christine Bluard) 8. Re-embodying Museum Objects: Rosanna Raymond’s Acti.VĀ.tions and the Question of the Object in New Museology 9. Artist Intervention, by its Very Definition, Cannot Dismantle the Master’s House Part 3: Conceptualism and a Future-oriented Museum 10. Dialogues with Museums in Angola and Beyond (A Conversation with Paula Nascimento) 11. The Metabolic Museum–University (MM–U) and Other Projects (A Conversation with Clémentine Deliss) 12. Home Museum: Challenging Western Museological Practices Through Inclusive Participation in Lagos, Nigeria 13. Museums in Tension: Critical Encounters and Insurgent Practices 14. Museums and Climate: From Institutional Critique to the Ecosocial Museum 15. Curating as open process: constructing conversations between political ecology and artistic research that shift institutional practices