Uroš Čvoro is Associate Professor in Art Theory at UNSW Sydney. His research interests are contemporary art and politics from the region of Former Yugoslavia, cultural representations of nationalism and post-socialist and post-conflict art. His books include Post-Conflict Monuments in Bosnia and Herzegovina (2020), Transitional Aesthetics: Art at the Edge of Europe (2018), and Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014). With Kit Messham-Muir, he is co-author of Images of War in Contemporary Art (2021) and The Trump Effect (2022).

• Introduction; 1. Bosnian girls and red feminism against militarist patriarchal nationalism 2. Care in the work of BiH feminist artists 3. Tradition against patriarchy in the work of Sandra Dukić, Lala Raščić, and Selma Selman 4. Feminising the Gastarbeiter in the work of Mila Panić, Saša Tatić, and Alma Gačanin; Afterword

Uroš Čvoro is Associate Professor in Art Theory at UNSW Sydney. His research interests are contemporary art and politics from the region of Former Yugoslavia, cultural representations of nationalism and post-socialist and post-conflict art. His books include Post-Conflict Monuments in Bosnia and Herzegovina (2020), Transitional Aesthetics: Art at the Edge of Europe (2018), and Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014). With Kit Messham-Muir, he is co-author of Images of War in Contemporary Art (2021) and The Trump Effect (2022).

• Introduction; 1. Bosnian girls and red feminism against militarist patriarchal nationalism 2. Care in the work of BiH feminist artists 3. Tradition against patriarchy in the work of Sandra Dukić, Lala Raščić, and Selma Selman 4. Feminising the Gastarbeiter in the work of Mila Panić, Saša Tatić, and Alma Gačanin; Afterword

Uroš Čvoro is Associate Professor in Art Theory at UNSW Sydney. His research interests are contemporary art and politics from the region of Former Yugoslavia, cultural representations of nationalism and post-socialist and post-conflict art. His books include Post-Conflict Monuments in Bosnia and Herzegovina (2020), Transitional Aesthetics: Art at the Edge of Europe (2018), and Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014). With Kit Messham-Muir, he is co-author of Images of War in Contemporary Art (2021) and The Trump Effect (2022).

• Introduction; 1. Bosnian girls and red feminism against militarist patriarchal nationalism 2. Care in the work of BiH feminist artists 3. Tradition against patriarchy in the work of Sandra Dukić, Lala Raščić, and Selma Selman 4. Feminising the Gastarbeiter in the work of Mila Panić, Saša Tatić, and Alma Gačanin; Afterword