Alyce Corbett is a recent graduate of the Autonomous University of Barcelona, where she earned a Cum Laude Doctorate in English Studies. Her early career research has focused on film and literary aesthetics, postfeminist representations, and contemporary women’s writing.

• Acknowledgements1. Introduction: The Female Gaze 1.1 Searching for the Female Gaze: A New Inquiry Into the Feminine1.2 Postfeminist Film and Literary Aesthetics: Shaping a 21st-Century Textual Constellation2. Millennial Speak: The Postfeminist Project of the Self 2.1 Greta Gerwig, Lady Bird (2017): Living Through Something 2.2 Sally Rooney, Normal People (2018): Glittering with Talk 3. Post-Postmodernism: The Postfeminist Reconfiguration of the Real 3.1 Miranda July, Kajillionaire (2020): Transcendentalising the Humdrum 3.2 Ali Smith, How to Be Both (2014): Eroding Narrative Boundaries 4. Still Life: The Postfeminist Abnegation of Plot 4.1 Sofia Coppola, Lost in Translation (2003): Designing not Directing 4.2 Rachel Cusk, Outline (2014): Renovating the Novel 5. New Cli-Fi: The Postfeminist Approach To The End Of The World 5.1 Claire Denis, High Life (2018): Contriving Sensation and Strangeness 5.2 Sophie Mackintosh, The Water Cure (2018): Inscribing Femininity in Darkness6. Conclusions: The Future Of Female Aesthetics Index

Alyce Corbett is a recent graduate of the Autonomous University of Barcelona, where she earned a Cum Laude Doctorate in English Studies. Her early career research has focused on film and literary aesthetics, postfeminist representations, and contemporary women’s writing.

• Acknowledgements1. Introduction: The Female Gaze 1.1 Searching for the Female Gaze: A New Inquiry Into the Feminine1.2 Postfeminist Film and Literary Aesthetics: Shaping a 21st-Century Textual Constellation2. Millennial Speak: The Postfeminist Project of the Self 2.1 Greta Gerwig, Lady Bird (2017): Living Through Something 2.2 Sally Rooney, Normal People (2018): Glittering with Talk 3. Post-Postmodernism: The Postfeminist Reconfiguration of the Real 3.1 Miranda July, Kajillionaire (2020): Transcendentalising the Humdrum 3.2 Ali Smith, How to Be Both (2014): Eroding Narrative Boundaries 4. Still Life: The Postfeminist Abnegation of Plot 4.1 Sofia Coppola, Lost in Translation (2003): Designing not Directing 4.2 Rachel Cusk, Outline (2014): Renovating the Novel 5. New Cli-Fi: The Postfeminist Approach To The End Of The World 5.1 Claire Denis, High Life (2018): Contriving Sensation and Strangeness 5.2 Sophie Mackintosh, The Water Cure (2018): Inscribing Femininity in Darkness6. Conclusions: The Future Of Female Aesthetics Index

Alyce Corbett is a recent graduate of the Autonomous University of Barcelona, where she earned a Cum Laude Doctorate in English Studies. Her early career research has focused on film and literary aesthetics, postfeminist representations, and contemporary women’s writing.

• Acknowledgements1. Introduction: The Female Gaze 1.1 Searching for the Female Gaze: A New Inquiry Into the Feminine1.2 Postfeminist Film and Literary Aesthetics: Shaping a 21st-Century Textual Constellation2. Millennial Speak: The Postfeminist Project of the Self 2.1 Greta Gerwig, Lady Bird (2017): Living Through Something 2.2 Sally Rooney, Normal People (2018): Glittering with Talk 3. Post-Postmodernism: The Postfeminist Reconfiguration of the Real 3.1 Miranda July, Kajillionaire (2020): Transcendentalising the Humdrum 3.2 Ali Smith, How to Be Both (2014): Eroding Narrative Boundaries 4. Still Life: The Postfeminist Abnegation of Plot 4.1 Sofia Coppola, Lost in Translation (2003): Designing not Directing 4.2 Rachel Cusk, Outline (2014): Renovating the Novel 5. New Cli-Fi: The Postfeminist Approach To The End Of The World 5.1 Claire Denis, High Life (2018): Contriving Sensation and Strangeness 5.2 Sophie Mackintosh, The Water Cure (2018): Inscribing Femininity in Darkness6. Conclusions: The Future Of Female Aesthetics Index