Ralf Hertel is Professor of English Literature at the University of Trier, Germany.

'Hertel has valuably shown that the English history plays of the 1590s addressed the issue of national identity with caution, dialogically, open-endedly, and, like Macmorris, in the interrogative mode.' Seventeenth Century News 'Staging England in the Elizabethan History Play is much more than a book of literary criticism: it investigates many different cultural domains ... it provides many penetrating insights into a plethora of crucial socio-political issues and it possesses the rare quality of being equally enjoyable for both specialists and non-specialists. ... We can be grateful to Ralf Hertel for helping us look at very familiar plays in a new and refreshing light.' Notes and Queries 'Hertel shows how nationalism on the Elizabethan stage represented variously a present ideal, a stabilizing bulwark against destabilizing forces, and the promise of a homogenous and conflict-free future. In addition, his study represents a thoughtful consideration of how dramatists used the stage as medium to express, interrogate, and critique prevailing nationalist paradigms.' Theatre Journal

• Introduction: Performing National Identity on the Early Modern Stage; Part I Territory; Chapter 1 Plotting England: The Transformation of Territory into Homeland; Chapter 2 Mapping the Globe: The Cartographic Gaze and Henry IV Part 1; Part II History; Chapter 3 Making History: Staging the National Past; Chapter 4 Nationalizing History? The Anglica Historia, Richard III and the Appropriation of the English Past; Part III Religion; Chapter 5 Performing Religion: Belief and National Identity; Chapter 6 The New Faith of the Nation: Religion in King John; Part IV Class; Chapter 7 How Common Is the Commonwealth? Class and National Identity; Chapter 8 ‘Infinite numbers’: Nation and Class in Henry VI Part 2; partV Gender; Chapter 9 Women on Top: Gender and National Identity; Chapter 10 The Private Is Political: Gender and Nation in Edward II; Conclusion: Early Modern Englishness and the Transformative Power of the Performative;

Ralf Hertel is Professor of English Literature at the University of Trier, Germany.

'Hertel has valuably shown that the English history plays of the 1590s addressed the issue of national identity with caution, dialogically, open-endedly, and, like Macmorris, in the interrogative mode.' Seventeenth Century News 'Staging England in the Elizabethan History Play is much more than a book of literary criticism: it investigates many different cultural domains ... it provides many penetrating insights into a plethora of crucial socio-political issues and it possesses the rare quality of being equally enjoyable for both specialists and non-specialists. ... We can be grateful to Ralf Hertel for helping us look at very familiar plays in a new and refreshing light.' Notes and Queries 'Hertel shows how nationalism on the Elizabethan stage represented variously a present ideal, a stabilizing bulwark against destabilizing forces, and the promise of a homogenous and conflict-free future. In addition, his study represents a thoughtful consideration of how dramatists used the stage as medium to express, interrogate, and critique prevailing nationalist paradigms.' Theatre Journal

• Introduction: Performing National Identity on the Early Modern Stage; Part I Territory; Chapter 1 Plotting England: The Transformation of Territory into Homeland; Chapter 2 Mapping the Globe: The Cartographic Gaze and Henry IV Part 1; Part II History; Chapter 3 Making History: Staging the National Past; Chapter 4 Nationalizing History? The Anglica Historia, Richard III and the Appropriation of the English Past; Part III Religion; Chapter 5 Performing Religion: Belief and National Identity; Chapter 6 The New Faith of the Nation: Religion in King John; Part IV Class; Chapter 7 How Common Is the Commonwealth? Class and National Identity; Chapter 8 ‘Infinite numbers’: Nation and Class in Henry VI Part 2; partV Gender; Chapter 9 Women on Top: Gender and National Identity; Chapter 10 The Private Is Political: Gender and Nation in Edward II; Conclusion: Early Modern Englishness and the Transformative Power of the Performative;

Ralf Hertel is Professor of English Literature at the University of Trier, Germany.

'Hertel has valuably shown that the English history plays of the 1590s addressed the issue of national identity with caution, dialogically, open-endedly, and, like Macmorris, in the interrogative mode.' Seventeenth Century News 'Staging England in the Elizabethan History Play is much more than a book of literary criticism: it investigates many different cultural domains ... it provides many penetrating insights into a plethora of crucial socio-political issues and it possesses the rare quality of being equally enjoyable for both specialists and non-specialists. ... We can be grateful to Ralf Hertel for helping us look at very familiar plays in a new and refreshing light.' Notes and Queries 'Hertel shows how nationalism on the Elizabethan stage represented variously a present ideal, a stabilizing bulwark against destabilizing forces, and the promise of a homogenous and conflict-free future. In addition, his study represents a thoughtful consideration of how dramatists used the stage as medium to express, interrogate, and critique prevailing nationalist paradigms.' Theatre Journal

• Introduction: Performing National Identity on the Early Modern Stage; Part I Territory; Chapter 1 Plotting England: The Transformation of Territory into Homeland; Chapter 2 Mapping the Globe: The Cartographic Gaze and Henry IV Part 1; Part II History; Chapter 3 Making History: Staging the National Past; Chapter 4 Nationalizing History? The Anglica Historia, Richard III and the Appropriation of the English Past; Part III Religion; Chapter 5 Performing Religion: Belief and National Identity; Chapter 6 The New Faith of the Nation: Religion in King John; Part IV Class; Chapter 7 How Common Is the Commonwealth? Class and National Identity; Chapter 8 ‘Infinite numbers’: Nation and Class in Henry VI Part 2; partV Gender; Chapter 9 Women on Top: Gender and National Identity; Chapter 10 The Private Is Political: Gender and Nation in Edward II; Conclusion: Early Modern Englishness and the Transformative Power of the Performative;