Peter M. Daly has degrees from universities in Bristol and Zurich and spent most of his university career in Canada. His research and publications have been largely on emblems and German baroque literature.

'The principal strength of the book is Daly’s immersive philological method; he collates his material and selected images from several book cultures (impressive enough!), and he also supplies some close and measured distinctions. For example, he organizes his data into cultural units, such as Dutch emblem-books, English emblem-books, Jesuit emblem-books, "realistic" emblem-books, and so on. Daly’s discussion of page design and the physical layout of emblem pages in the printed emblem-books is entirely useful; he shows, with numerous examples, that the emblem presentation in most early-modern printed books had its own signature structure (or "visual rhetoric"): viewers were engaged optically and mentally as the eye would scan over an entire page, seeking to decode and grasp the message of the emblem and ’language’ of the page. (Early cerebrations for the early-modern brain, indeed!)' Appositions

• Contents: Preface; Introduction; Recent emblem theory; The importance of emblems; Truth in emblems; Emblems as transmitters of knowledge and traditions; Mnemonics and emblems; Are emblem inscriptiones always mottoes?; Is there visual rhetoric in some emblem pictures?; How were and how are emblems read?; On the interpretation of emblems; Jesuit emblems: in the service of God, man or the Society of Jesus?; Selective bibliography; Index.

Peter M. Daly has degrees from universities in Bristol and Zurich and spent most of his university career in Canada. His research and publications have been largely on emblems and German baroque literature.

'The principal strength of the book is Daly’s immersive philological method; he collates his material and selected images from several book cultures (impressive enough!), and he also supplies some close and measured distinctions. For example, he organizes his data into cultural units, such as Dutch emblem-books, English emblem-books, Jesuit emblem-books, "realistic" emblem-books, and so on. Daly’s discussion of page design and the physical layout of emblem pages in the printed emblem-books is entirely useful; he shows, with numerous examples, that the emblem presentation in most early-modern printed books had its own signature structure (or "visual rhetoric"): viewers were engaged optically and mentally as the eye would scan over an entire page, seeking to decode and grasp the message of the emblem and ’language’ of the page. (Early cerebrations for the early-modern brain, indeed!)' Appositions

• Contents: Preface; Introduction; Recent emblem theory; The importance of emblems; Truth in emblems; Emblems as transmitters of knowledge and traditions; Mnemonics and emblems; Are emblem inscriptiones always mottoes?; Is there visual rhetoric in some emblem pictures?; How were and how are emblems read?; On the interpretation of emblems; Jesuit emblems: in the service of God, man or the Society of Jesus?; Selective bibliography; Index.

Peter M. Daly has degrees from universities in Bristol and Zurich and spent most of his university career in Canada. His research and publications have been largely on emblems and German baroque literature.

'The principal strength of the book is Daly’s immersive philological method; he collates his material and selected images from several book cultures (impressive enough!), and he also supplies some close and measured distinctions. For example, he organizes his data into cultural units, such as Dutch emblem-books, English emblem-books, Jesuit emblem-books, "realistic" emblem-books, and so on. Daly’s discussion of page design and the physical layout of emblem pages in the printed emblem-books is entirely useful; he shows, with numerous examples, that the emblem presentation in most early-modern printed books had its own signature structure (or "visual rhetoric"): viewers were engaged optically and mentally as the eye would scan over an entire page, seeking to decode and grasp the message of the emblem and ’language’ of the page. (Early cerebrations for the early-modern brain, indeed!)' Appositions

• Contents: Preface; Introduction; Recent emblem theory; The importance of emblems; Truth in emblems; Emblems as transmitters of knowledge and traditions; Mnemonics and emblems; Are emblem inscriptiones always mottoes?; Is there visual rhetoric in some emblem pictures?; How were and how are emblems read?; On the interpretation of emblems; Jesuit emblems: in the service of God, man or the Society of Jesus?; Selective bibliography; Index.