Psychoanalysis in Play

Steven H. Cooper is a Training and Supervising Analyst at the Boston Psychoanalytic Society and Institute, and the Columbia Center for Psychoanalytic Training and Research, where he is also Clinical Professor of Psychiatry. He has authored five books and coedited two others. He is in practice in New York City.

'Psychoanalysis in Play is a significant contribution to contemporary psychoanalysis, offering a nuanced exploration of the interplay between fantasy, isolation, and concealment and the subtle ways patients construct protective illusions, sustain unconscious erotic ties, and shield forbidden attachments through creative disguises. Cooper skillfully integrates classical psychoanalytic foundations with the ideas of Winnicott, Bion, Britton, and Steiner, mapping a continuum from neurotic defenses to more entrenched schizoid dynamics. Central to this process is the concept of “playing,” which the author masterfully presents through vivid clinical examples as both a therapeutic tool and a lens for understanding how patients reveal, explore, and transform unconscious patterns. Equally compelling is the book’s exploration of temporality, the delicate construction of trust, and the analytic setting’s capacity to foster creativity and psychic growth, offering fresh perspectives on the therapeutic process. I strongly recommend it to analysts, therapists, and students interested in the treatment of psychological suffering, as well as to scholars in the human sciences for its profound reflections on the fabric of the human psyche.’ Giuseppe Civitarese, author of Psychoanalytic Field Theory: A Contemporary Introduction, (2023) ‘To read the work of Steven Cooper is to be invited into a world of thoughtfulness. In Psychoanalysis in Play he displays his adeptness with psychoanalytic theory utilizing the multiple vertices that accompany an active analytic interrogation of transference-countertransference. His reader is expertly guided through areas of play and paradox, fixation and fantasy, as he uses both classical and contemporary theorists to think about his patient’s inner object worlds, carefully finding his way with each individual patient in each individual moment, seeking to determine who he may be for his patient or what he might be holding of theirs, and what his countertransference may be offering to bring into his awareness. Cooper’s description of his analytic work with his patients demonstrates his virtuoso abilities to play what Whitman called “the instruments inside us."' Bruce Reis, PhD, FIPA, BCPsa, North American Regional Editor, International Journal of Psychoanalysis

• 1. Living an Experience of Defense: Exploring Defensive Process within the Play Framework 2. The Activity of Neutrality 3. Playing, Paradox, and Analytic Activity between Knowing and Being 4. Winnicott’s Paradox of Being with and without Memory and Desire: Notes on a Letter from Winnicott to Bion 5. Play and Temporality in Psychoanalysis: A Close Reading of “Playing, Creativity, and the Search for the Self” in Winnicott’s Playing and Reality 6. Playing in Time: Some Reflections on Temporality in the Analytic Setting 7. The Virtual Oedipal Citadel: Varieties of Isolation, Oedipal Conflict, and Cover-Up 8. “Being Careful in Only a Perverse Way”: The Use of Aesthetic Experience in Psychoanalytic Work