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    1. Skönlitteratur
    2. Litteraturvetenskap
    3. Litteraturteori

    Reading Literature

    Practical Approaches to Engaging with Literature

    AvRobert DiYanni

    Inbunden, Engelska, 2026

    2 786 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

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    E-bok

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    E-bok

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    Häftad

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    Beskrivning

    Why do we read literature? Literature enables us to develop our judgment through observation and reflection. We read literature for the many pleasures it offers. These pleasures range widely across genres, with those reading fiction and drama differing from what readers experience in their encounters with poems and essays.Reading Literature is a practical guide ranging across the literary genres—poetry, fiction, drama, and essay. For each of these genres, Robert DiYanni outlines five “ways in” to literary works. Each section closes with the technique of “interrupted reading”. Reading Literature helps readers experience the rich rewards literature provides; understand the complexities of human psychology; navigate the intricacies of social relationships; take pleasure in the ways language creates alternate worlds which echo the world in which we live. It also includes sections on literary elements and the basics of literary theory. Part V uses the familiar literary elements as the basis for sample analyses of poem, story, play, essay, and epic. The final part offers an overview of a dozen critical approaches, or theoretical perspectives, on literature.Helping readers read closely and critically, this is an essential guide to find “ways in” to reading literature to result in valuable encounters and rewarding literary experiences for general readers or those beginning literary studies courses.

    Produktinformation

    • Utgivningsdatum:2026-04-22
    • Mått:156 x 234 x 16 mm
    • Vikt:660 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:256
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781041026310

    Utforska kategorier

    • Litteraturteori inom Skönlitteratur
    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    Robert DiYanni is Professor of Humanities at New York University, USA where he serves on the faculties of the School of Professional Studies and the Stern School of Business, following a decade in the College of Arts and Science. His publications include The Pearson Guide to Critical and Creative Thinking (2014), Critical and Creative Thinking: A Brief Guide for Teachers (2015), and Critical Reading Across the Curriculum (with Anton Borst; 2017). His Literature (1986) went through six editions and his Modern American Poets (1988, 1993) was the companion text for the PBS television series Voices and Visions about modern American poetry. His co-authored Scribner Handbook for Writers went through four editions and his book Literature: Reading Fiction, Poetry, Drama, and the Essay went through six.

    Innehållsförteckning

    • PrefaceAcknowledgmentsIntroduction: Print and Digital ReadingPart I: Reading Lyric Poetry—5 Ways InPrelude I: The Pleasures of Lyric Poetry1. Speaker, Structure, Sound—William Butler Yeats: "An Irish Airman Foresees His Death"2. Argument—Andrew Marvell: "To His Coy Mistress"3. Tone—Stephen Crane: "War is Kind"4. Literature and the Arts—Pieter Brueghel the Elder, W. H. Auden, William Carlos Williams, and Walt Whitman5. Interrupted Reading—Robert Frost: "Stopping by Woods on a Snowy Evening"Interlude I: Epic PoetryPart II: Reading Fiction—Five Ways In Prelude II: The Pleasures of Fiction6. Questions—Katherine Anne Porter: "Rope"7. Surprises—Edgar Allan Poe: "The Cask of Amontillado"8. Voices—Jane Austen: Pride and Prejudice9. Fiction, History, Art—Ernest Hemingway: "The Revolutionist" and A Farewell to Arms10. Interrupted Reading—Kate Chopin: "The Story of an Hour"Interlude II: The Novel and NovellaPart III: Reading Drama—Five Ways In Prelude III: The Pleasures of Drama11. Mental Theater—August Strindberg: The Stronger12. Subtext—Wendy Wasserstein: Tender Offer13. Language and Style—William Shakespeare: Othello 14. Scene and Sound —William Shakespeare: Macbeth15. Interrupted Reading—George Bernard Shaw: Arms and the ManInterlude III: Types of DramaPart IV: Reading the Essay—Five Ways In Prelude IV: The Pleasures of the Essay16. Annotation—Francis Bacon: "Of Youth and Age"17. Style and Tone—Mary Wollstonecraft: A Vindication of the Rights of Woman18. Slow Reading—Leslie Jamison: "A Street Full of Splendid Strangers"19. Reading Framework—Jamaica Kincaid: "On Seeing England for the First Time"20. Interrupted Reading—George Orwell: "A Hanging "Interlude IV: The Video EssayPart V: Reading with Literary Elements—Five TakesPrelude V: The Value of Literary Elements21. Elements of Lyric Poetry—Gerard Manley Hopkins: "Spring and Fall: to a young child"22. Elements of Epic Poetry—John Milton: Paradise Lost23. Elements of Fiction—James Joyce: "Araby"24. Elements of Drama—Isabella Augusta Persse, Lady Gregory: The Rising of the Moon25. Elements of the Essay—Zora Neale Hurston: "How It Feels to Be Colored Me"Interlude V: Literary ConventionsPart VI: Reading Literature Through Critical Lenses—Twelve TakesPrelude VI: The Value of Literary Perspectives26. Formalist27. Reader-Response28. Biographical29. Historical30. Psychological31. Sociological32. Mythological33. Structuralist34. Deconstructionist35. Postcolonial36. Ecocritical37. Influence and ValuesAppendix: Writing about LiteratureReferencesIndex