Inbunden, Engelska, 2026
Ekphrastic Approaches in Twenty-First Century Poetry
Writing Out
Del i serien Routledge Studies in Twentieth-Century Literature
2837 kr
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Produktinformation
- Utgivningsdatum: 2026-12-11
- Mått: 152 x 229 x undefined mm
- Format: Inbunden
- Språk: Engelska
- Serie: Routledge Studies in Twentieth-Century Literature
- Antal sidor: 270
- Förlag: Taylor & Francis Ltd
- ISBN: 9781041109693
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Amina Alyal has published co-edited academic collections including Victorian Cultures of Liminality (Cambridge Scholars, 2018), and Classical and Contemporary Mythic Identities (Edwin Mellen, 2009), and creative writing collections including Everyone’s a Seed (Yaffle Press, 2026) and Tasseomancy: Creative Responses to AI (The Tea Set, 2024). She has published two solo poetry collections and several collaborative collections. She writes theatre reviews and programme notes. Based at Leeds Trinity University, she has co-written and performed for words and music with Oz Hardwick and Karl Baxter, Kaminari UK, the Japanese drumming group, and Leeds Lieder.Oz Hardwick is an international award-winning poet, and Professor of Creative Writing at Leeds Trinity University. He has published “maybe fifteen?” full collections and chapbooks, most recently Retrofuturism for the Dispossessed (Hedgehog Poetry Press, 2024), as well as countless individual poems in journals and anthologies. With Anne Caldwell he edited The Valley Press Anthology of Prose Poetry (Valley Press, 2019) and Prose Poetry in Theory and Practice (Routledge, 2022); and with Cassandra Atherton he edited Dancing About Architecture and Other Ekphrastic Maneuvers (MadHat Press, 2024).
Recensioner i media
"Marvellously provocative and boundary-crushing, Ekphrastic Approaches in Twenty-First Century Poetry: Writing Out brings together practitioners, critics and scholars in conversations about the transformative power of ekphrastic practice. In essays that capture the diversity and efflorescence of contemporary ekphrastic poetry, editors Amina Alyal and Oz Hardwick prioritise work that challenges traditional notions of the relationship between art and poetry and confronts “the why and the how of ekphrastic poetry”. This collection uncovers the alchemy at the heart of twenty-first century ekphrasis and ushers the reader into its liminal spaces, inviting them to revel in the form’s metamorphic dynamism."--Cassandra Atherton, Deakin University
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