General Editor Alexa Alice Joubin is Professor of English, George Washington University, and Research Affiliate, Massachusetts Institute of Technology, USA.Associate Editor Lisa S. Starks is Professor of English, University of South Florida, USA.Guest Editor Adele Lee is Associate Professor at Emerson College, USA, with specialisms in Global Shakespeare and early modern travel writing.

• Preface - Alexa Alice Joubin and Lisa S. Starks, Introduction “The multi-headed multitude […] so diversely colour’d:” Introduction to Mixed Race Shakespeares - Adele Lee, Part One: The Text\, 1. “Parti-Coloured Lambs”: Constructions Of Mixedness And Interracial Imaginings In The Merchant Of Venice - Caminey Kuropatwa, 2. Liminality, Promise, and Projection: Perdita’s Identity and Disguise in The Winter’s Tale - Rebecca M. Quoss-Moore, 3. “The Child’s Monstrousness” : Enslaving and Murdering Mixed-Race Children in Shakespeare - Julie Thompson , Part Two: Casting, 4. “Half-Blooded Fellow(s):” Bastardy and Biracialism in Shakespeare - Adele Lee, 5. Trans Fury and Bi-Erasure: The Rising Visibility of Shakespeare’s Mixed-Race Queens - Daniel G. Lauby, Part Three: Adaptation, 6. “I’m neither one nor the other”: Ethnoracial-Religious Identities and Trans Experiences in Yentl as an Adaptation of Twelfth Night - Lisa S. Starks, 7. Replaced and Reimagined: Indian-Jewish Identity in Adaptations of The Merchant of Venice - Erika D’Souz, 8. Good Cop, Bard Cop: Shakespearean Mixtures and Racialized Policework in the Nineteenth-Century Americas - Corinne Zeman, Part Four: State of the Field and Future Directions, 9. Dramaturgy, Phenomenology, and Talmudic Thinking: Methods for a Critical Mixed-Race Studies Approach to Shakespeare - Carla Della Gatta, Index

General Editor Alexa Alice Joubin is Professor of English, George Washington University, and Research Affiliate, Massachusetts Institute of Technology, USA.Associate Editor Lisa S. Starks is Professor of English, University of South Florida, USA.Guest Editor Adele Lee is Associate Professor at Emerson College, USA, with specialisms in Global Shakespeare and early modern travel writing.

• Preface - Alexa Alice Joubin and Lisa S. Starks, Introduction “The multi-headed multitude […] so diversely colour’d:” Introduction to Mixed Race Shakespeares - Adele Lee, Part One: The Text\, 1. “Parti-Coloured Lambs”: Constructions Of Mixedness And Interracial Imaginings In The Merchant Of Venice - Caminey Kuropatwa, 2. Liminality, Promise, and Projection: Perdita’s Identity and Disguise in The Winter’s Tale - Rebecca M. Quoss-Moore, 3. “The Child’s Monstrousness” : Enslaving and Murdering Mixed-Race Children in Shakespeare - Julie Thompson , Part Two: Casting, 4. “Half-Blooded Fellow(s):” Bastardy and Biracialism in Shakespeare - Adele Lee, 5. Trans Fury and Bi-Erasure: The Rising Visibility of Shakespeare’s Mixed-Race Queens - Daniel G. Lauby, Part Three: Adaptation, 6. “I’m neither one nor the other”: Ethnoracial-Religious Identities and Trans Experiences in Yentl as an Adaptation of Twelfth Night - Lisa S. Starks, 7. Replaced and Reimagined: Indian-Jewish Identity in Adaptations of The Merchant of Venice - Erika D’Souz, 8. Good Cop, Bard Cop: Shakespearean Mixtures and Racialized Policework in the Nineteenth-Century Americas - Corinne Zeman, Part Four: State of the Field and Future Directions, 9. Dramaturgy, Phenomenology, and Talmudic Thinking: Methods for a Critical Mixed-Race Studies Approach to Shakespeare - Carla Della Gatta, Index

General Editor Alexa Alice Joubin is Professor of English, George Washington University, and Research Affiliate, Massachusetts Institute of Technology, USA.Associate Editor Lisa S. Starks is Professor of English, University of South Florida, USA.Guest Editor Adele Lee is Associate Professor at Emerson College, USA, with specialisms in Global Shakespeare and early modern travel writing.

• Preface - Alexa Alice Joubin and Lisa S. Starks, Introduction “The multi-headed multitude […] so diversely colour’d:” Introduction to Mixed Race Shakespeares - Adele Lee, Part One: The Text\, 1. “Parti-Coloured Lambs”: Constructions Of Mixedness And Interracial Imaginings In The Merchant Of Venice - Caminey Kuropatwa, 2. Liminality, Promise, and Projection: Perdita’s Identity and Disguise in The Winter’s Tale - Rebecca M. Quoss-Moore, 3. “The Child’s Monstrousness” : Enslaving and Murdering Mixed-Race Children in Shakespeare - Julie Thompson , Part Two: Casting, 4. “Half-Blooded Fellow(s):” Bastardy and Biracialism in Shakespeare - Adele Lee, 5. Trans Fury and Bi-Erasure: The Rising Visibility of Shakespeare’s Mixed-Race Queens - Daniel G. Lauby, Part Three: Adaptation, 6. “I’m neither one nor the other”: Ethnoracial-Religious Identities and Trans Experiences in Yentl as an Adaptation of Twelfth Night - Lisa S. Starks, 7. Replaced and Reimagined: Indian-Jewish Identity in Adaptations of The Merchant of Venice - Erika D’Souz, 8. Good Cop, Bard Cop: Shakespearean Mixtures and Racialized Policework in the Nineteenth-Century Americas - Corinne Zeman, Part Four: State of the Field and Future Directions, 9. Dramaturgy, Phenomenology, and Talmudic Thinking: Methods for a Critical Mixed-Race Studies Approach to Shakespeare - Carla Della Gatta, Index