Owen Lyons is an Assistant Professor at the School of Image Arts at Toronto Metropolitan University and holds a PhD in Cultural Mediations from Carleton University. His research addresses Weimar Cinema as well as the visual culture of twenty-first century financial markets.

• Introduction, Chapter 1: The Stock Exchange as a Space of Modernity and Labour of Representation, The Stock Exchange as a Space of Modernity, The Stock Exchange as a Labour of Representation, Chapter 2: Dr. Mabuse and His Doubles, Dr. Mabuse the Speculator, Dr. Mabuse and the Weimar Financial Imaginary, Chapter 3: Women and Financial Capital in Weimar Cinema, The New Woman as Speculator, Women as a Medium of Exchange, Chapter 4: Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema, The Threat of Dissolution, Reactionary Modernism and Finance Capital, Chapter 5: The Aggregate Image and the World Economy, Macroeconomic Visions, Epilogue, Fungibility and Authenticity, Appendix, Bibliography

Owen Lyons is an Assistant Professor at the School of Image Arts at Toronto Metropolitan University and holds a PhD in Cultural Mediations from Carleton University. His research addresses Weimar Cinema as well as the visual culture of twenty-first century financial markets.

• Introduction, Chapter 1: The Stock Exchange as a Space of Modernity and Labour of Representation, The Stock Exchange as a Space of Modernity, The Stock Exchange as a Labour of Representation, Chapter 2: Dr. Mabuse and His Doubles, Dr. Mabuse the Speculator, Dr. Mabuse and the Weimar Financial Imaginary, Chapter 3: Women and Financial Capital in Weimar Cinema, The New Woman as Speculator, Women as a Medium of Exchange, Chapter 4: Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema, The Threat of Dissolution, Reactionary Modernism and Finance Capital, Chapter 5: The Aggregate Image and the World Economy, Macroeconomic Visions, Epilogue, Fungibility and Authenticity, Appendix, Bibliography

Owen Lyons is an Assistant Professor at the School of Image Arts at Toronto Metropolitan University and holds a PhD in Cultural Mediations from Carleton University. His research addresses Weimar Cinema as well as the visual culture of twenty-first century financial markets.

• Introduction, Chapter 1: The Stock Exchange as a Space of Modernity and Labour of Representation, The Stock Exchange as a Space of Modernity, The Stock Exchange as a Labour of Representation, Chapter 2: Dr. Mabuse and His Doubles, Dr. Mabuse the Speculator, Dr. Mabuse and the Weimar Financial Imaginary, Chapter 3: Women and Financial Capital in Weimar Cinema, The New Woman as Speculator, Women as a Medium of Exchange, Chapter 4: Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema, The Threat of Dissolution, Reactionary Modernism and Finance Capital, Chapter 5: The Aggregate Image and the World Economy, Macroeconomic Visions, Epilogue, Fungibility and Authenticity, Appendix, Bibliography