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Line Cecilie Engh - Symbolism of Marriage in Early Christianity and the Latin Middle Ages, Häftad

Häftad, Engelska, 2025

Symbolism of Marriage in Early Christianity and the Latin Middle Ages

Images, Impact, Cognition

Av Line Cecilie Engh

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Beskrivning
In the Middle Ages everyone, it seems, entered into some form of marriage. Nuns - and even some monks - married the bridegroom Christ. Bishops married their sees. The popes, as vicars of Christ, married the universal Church. And lay people, high and low, married each other. What united these marriages was their common reference to the union of Christ and Church. Christ's marriage to the Church was the paradigmatic symbol in which all the other forms of union participated, in superior or inferior ways. This book grapples with questions of the impact of marriage symbolism on both ideas and practice in the early Christian and medieval period. In what ways did marriage symbolism - with its embedded concepts of gender, reproduction, household, and hierarchy - shape people's thought about other things, such as celibacy, ecclesial and political relations, and devotional relations? How did symbolic cognition shape marriage itself? And how, if at all, were these two directions of thinking symbolically about marriage related?|multidiciplinary approach, high-precision conceptual analyses, a case study of symbolical cognition
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Line Cecilie Engh is Associate Professor of History of Ideas at the University of Oslo. She was a fellow at The Norwegian Institute in Rome from 2008 to 2017. She is the author of Gendered Identities in Bernard of Clairvaux’s ‘Sermons on the Song of Songs’: Performing the Bride (2014) and numerous book chapters and articles on monastic and papal writing that focus on rhetoric, hermeneutics, metaphor, gender, and cognition.

Recensioner i media

'This is a very interesting collection of essays on marriage symbolism in written texts and art.'' -David Dawson Vasquez, Marriage, Families & Spirituality , 30/1, 2024, The introduction to this important book points to what cognitive sciences can tell historians about how symbolism works. The exposition of Conceptual Metaphor Theory and Blending Theory (the preferred version of the co-author of the introduction, Mark Turner) deserves close attention from both historians and literary scholars. The potential for interdisciplinary insight is exciting and it may be hoped that much more research will follow along the path Engh has cut.- D. L. d'Avray, The Medieval Review, April 2021, ''These collected essays describe less how biblical and early Christian marriage symbolism influenced Western marriage, and more how it helped medieval people give expression to what is not marriage—including celibacy, virginity, power relations, and church hierarchy. [... T]he book's unifying perspective, namely, blending theory, which has to do with how the human mind fashions its conceptual world by creatively blending concepts that, on the face of it, have little to do with each other, results in giving the whole collection an impressive sense of unity.,- W. Trent Foley, Church History, Davidson College .

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