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Lu Zhouxiang - Yellow River in Music, Inbunden

Inbunden, Engelska, 2026

Yellow River in Music

History, Politics and Identity

Av Lu Zhouxiang

Del i serien Routledge Studies in Cultural History

2863 kr

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Beskrivning
This book explores Yellow River-themed music alongside a rich body of corresponding literature, spanning from ancient times to the present. Drawing on cultural historical narratives, it bridges the fields of musicology, literary studies and history, offering a fresh perspective on how the Yellow River has been imagined and represented across diverse musical and intellectual traditions. Through this interdisciplinary approach, the book seeks to deepen our understanding of the Yellow River’s enduring symbolic power and significance within Chinese history and culture. It also examines the role of music in shaping historical discourse, promoting social and ethical values, expressing philosophical thought, and nurturing both cultural and national identity among the Chinese.
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Lu Zhouxiang is Associate Professor within the School of Modern Languages, Literatures and Cultures at the National University of Ireland Maynooth, Ireland.

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Lu Zhouxiang’s book is a remarkably original and stimulating account of the Yellow River as a long-running inspiration for musical creativity throughout the broad span of Chinese history. From early rites to imperial court art songs, and from Buddhist bianwen sung narratives to the Piano Concerto newly arranged during the Cultural Revolution, Lu’s analysis explores a strikingly diverse cross-section of music, persuasively showing how Yellow River themes have continued to embody and project Chinese expressions of nationhood and cultural identity.Jonathan P. J. Stock, Professor of Music, University College Cork and co-editor, The Oxford Handbook of the Music of China and the Chinese Diaspora (2023)From antiquity to the 21st Century, The Yellow River in Music explores the fascinating history of the Yellow River as cultural touchstone for the long duration of China’s history. Focused on the sonic representations of the river, along with other forms of cultural output, the author traces both continuity and change in what has become the iconographic feature of the Chinese landscape – culturally and geographically. A compelling and multi-faceted excursion into how the enduring power of music to shape historical discourses, symbol-making, and ultimately, identities.David A. Pietz, Regents Professor of Modern Chinese History, The University of Arizona

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