Suzanne Treister (b.1958 London UK) studied at St Martin's School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982) and is based in London and the French Pyrenees, having lived in Australia, New York and Berlin. Initially recognized in the 1980s as a painter, she became a pioneer in the digital/new media/web based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister's work has engaged with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastic reinterpretations of given taxonomies and histories that examine the existence of covert forces at work in the world. An ongoing focus of her work is the relationship between new technologies, society, alternative belief systems and the potential futures of humanity. Lars Bang Larsen is a writer, curator, and art historian, and Head of Art & Research at AHC (Art Hub Copenhagen). He has researched the histories of politics and aesthetics across modern and contemporary art and in their encounters with technologies and countercultures. Patricia Domínguez Claro (b. 1984, Lives and works in Puchuncaví, Chile) Her inquiries focus on tracing digital and spiritual relationships between living species in an increasingly corporate cosmos, combining experimental research on ethnobotany, extractivism and healing practices through the artistic language of spiritual fiction. She sees her work as a stomach that digests reality and recodes it into a planetary prayer.Her work has been exhibited at Modern Monday MoMA, Screen Series New Museum, Gasworks London, Wellcome Collection, Gwangju Biennale, Museo Thyssen Bornemisza, Transmediale Berlin, Pinacoteca Sao Paulo, and FLORA ars+natura, among others. Her work was recently included at “Vitamin V, Video and the Moving Image in Contemporary Art”, Phaidon Press (2025). Domínguez is also the founder of Studio Vegetalista, an experimental platform for ethnobotanical research.VAL RAVAGLIA is Curator, Displays and International Art at Tate Modern, London, and Curator of Electric Dreams: Art and Technology before the Internet. They assisted with the complete rehang of Tate Modern’s Collection Displays in 2015-16 and have curated numerous collection display rooms since 2012. They co-curated the Tate Modern exhibition A Year in Art: Australia 1992 (2021-2023) and led the touring Tate exhibition The Dynamic Eye: Beyond Op and Kinetic Art. They were the Assistant Curator for the 2017 Turbine Hall Commission by SUPERFLEX and Tate Modern’s Nam June Paik retrospective. Their research interests include the intersections of art, science, and technology, as well as Jessie Robertson is Curator of Exhibitions and Live Programmes at Modern Art Oxford. She has curated exhibitions and new commissions by Frieda Toranzo Jaeger and Valerie Asiimwe Amani and is leading on Prophetic Dreaming. Alongside this, she devises and delivers the live programme at Modern Art Oxford, focusing on interdisciplinary practice and platforming emerging performance in the city. As Curator (2023-present) and Assistant Curator (2019-2023) at Modern Art Oxford, Robertson has worked on exhibitions, publications and residencies for artists including Belkis Ayón, Jesse Darling, Carey Young, Marina Abramović and Ruth Asawa.

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Suzanne Treister (b.1958 London UK) studied at St Martin's School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982) and is based in London and the French Pyrenees, having lived in Australia, New York and Berlin. Initially recognized in the 1980s as a painter, she became a pioneer in the digital/new media/web based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister's work has engaged with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastic reinterpretations of given taxonomies and histories that examine the existence of covert forces at work in the world. An ongoing focus of her work is the relationship between new technologies, society, alternative belief systems and the potential futures of humanity. Lars Bang Larsen is a writer, curator, and art historian, and Head of Art & Research at AHC (Art Hub Copenhagen). He has researched the histories of politics and aesthetics across modern and contemporary art and in their encounters with technologies and countercultures. Patricia Domínguez Claro (b. 1984, Lives and works in Puchuncaví, Chile) Her inquiries focus on tracing digital and spiritual relationships between living species in an increasingly corporate cosmos, combining experimental research on ethnobotany, extractivism and healing practices through the artistic language of spiritual fiction. She sees her work as a stomach that digests reality and recodes it into a planetary prayer.Her work has been exhibited at Modern Monday MoMA, Screen Series New Museum, Gasworks London, Wellcome Collection, Gwangju Biennale, Museo Thyssen Bornemisza, Transmediale Berlin, Pinacoteca Sao Paulo, and FLORA ars+natura, among others. Her work was recently included at “Vitamin V, Video and the Moving Image in Contemporary Art”, Phaidon Press (2025). Domínguez is also the founder of Studio Vegetalista, an experimental platform for ethnobotanical research.VAL RAVAGLIA is Curator, Displays and International Art at Tate Modern, London, and Curator of Electric Dreams: Art and Technology before the Internet. They assisted with the complete rehang of Tate Modern’s Collection Displays in 2015-16 and have curated numerous collection display rooms since 2012. They co-curated the Tate Modern exhibition A Year in Art: Australia 1992 (2021-2023) and led the touring Tate exhibition The Dynamic Eye: Beyond Op and Kinetic Art. They were the Assistant Curator for the 2017 Turbine Hall Commission by SUPERFLEX and Tate Modern’s Nam June Paik retrospective. Their research interests include the intersections of art, science, and technology, as well as Jessie Robertson is Curator of Exhibitions and Live Programmes at Modern Art Oxford. She has curated exhibitions and new commissions by Frieda Toranzo Jaeger and Valerie Asiimwe Amani and is leading on Prophetic Dreaming. Alongside this, she devises and delivers the live programme at Modern Art Oxford, focusing on interdisciplinary practice and platforming emerging performance in the city. As Curator (2023-present) and Assistant Curator (2019-2023) at Modern Art Oxford, Robertson has worked on exhibitions, publications and residencies for artists including Belkis Ayón, Jesse Darling, Carey Young, Marina Abramović and Ruth Asawa.

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Suzanne Treister (b.1958 London UK) studied at St Martin's School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982) and is based in London and the French Pyrenees, having lived in Australia, New York and Berlin. Initially recognized in the 1980s as a painter, she became a pioneer in the digital/new media/web based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister's work has engaged with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastic reinterpretations of given taxonomies and histories that examine the existence of covert forces at work in the world. An ongoing focus of her work is the relationship between new technologies, society, alternative belief systems and the potential futures of humanity. Lars Bang Larsen is a writer, curator, and art historian, and Head of Art & Research at AHC (Art Hub Copenhagen). He has researched the histories of politics and aesthetics across modern and contemporary art and in their encounters with technologies and countercultures. Patricia Domínguez Claro (b. 1984, Lives and works in Puchuncaví, Chile) Her inquiries focus on tracing digital and spiritual relationships between living species in an increasingly corporate cosmos, combining experimental research on ethnobotany, extractivism and healing practices through the artistic language of spiritual fiction. She sees her work as a stomach that digests reality and recodes it into a planetary prayer.Her work has been exhibited at Modern Monday MoMA, Screen Series New Museum, Gasworks London, Wellcome Collection, Gwangju Biennale, Museo Thyssen Bornemisza, Transmediale Berlin, Pinacoteca Sao Paulo, and FLORA ars+natura, among others. Her work was recently included at “Vitamin V, Video and the Moving Image in Contemporary Art”, Phaidon Press (2025). Domínguez is also the founder of Studio Vegetalista, an experimental platform for ethnobotanical research.VAL RAVAGLIA is Curator, Displays and International Art at Tate Modern, London, and Curator of Electric Dreams: Art and Technology before the Internet. They assisted with the complete rehang of Tate Modern’s Collection Displays in 2015-16 and have curated numerous collection display rooms since 2012. They co-curated the Tate Modern exhibition A Year in Art: Australia 1992 (2021-2023) and led the touring Tate exhibition The Dynamic Eye: Beyond Op and Kinetic Art. They were the Assistant Curator for the 2017 Turbine Hall Commission by SUPERFLEX and Tate Modern’s Nam June Paik retrospective. Their research interests include the intersections of art, science, and technology, as well as Jessie Robertson is Curator of Exhibitions and Live Programmes at Modern Art Oxford. She has curated exhibitions and new commissions by Frieda Toranzo Jaeger and Valerie Asiimwe Amani and is leading on Prophetic Dreaming. Alongside this, she devises and delivers the live programme at Modern Art Oxford, focusing on interdisciplinary practice and platforming emerging performance in the city. As Curator (2023-present) and Assistant Curator (2019-2023) at Modern Art Oxford, Robertson has worked on exhibitions, publications and residencies for artists including Belkis Ayón, Jesse Darling, Carey Young, Marina Abramović and Ruth Asawa.

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