Bokus
Alan Howard - Compositional Artifice in the Music of Henry Purcell, Inbunden

Inbunden, Engelska, 2019

Compositional Artifice in the Music of Henry Purcell

Av Alan Howard

Del i serien Musical Performance and Reception

1677 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

Beskrivning
Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell's music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.
Produktinformation
Utforska kategorier
Mer om författaren

Alan Howard is a Fellow of Selwyn College, Cambridge, where he is Lecturer and Director of Studies in Music. His edition of Odes on the Death of Henry Purcell (2013) was published for the Purcell Society, and he has published widely on English music in journals including JRMA, Music and Letters, Early Music, Musical Times and Eighteenth-Century Music. He is also co-editor of the journal Early Music, a member of the Purcell Society committee, a General Editor of the Works of John Eccles and a trustee of Cambridge Early Music.

Recensioner i media

'This book documents a remarkable achievement. It not only offers direct insights into the creative processes of a great composer on a technical level, but also succeeds in getting, as it were, into his skin as he faced compositional problems - something not previously attempted in the case of Purcell (and all too rarely accomplished for any composer).' Bruce Wood, Bangor University

Betyg & recensioner

0 recensioner

Inga recensioner tillgängliga.