Kathy Bowrey is a Professor at the Faculty of Law, University of New South Wales, Sydney. Michael Handler is an Associate Professor at the Faculty of Law, University of New South Wales, Sydney.

'This rich collection details the complex, dispersed collaboration involved in the development of successful entertainment 'franchises' - arguably among the most powerful modes of creative production today. The ten essays depart from the kind of narrow, doctrine-driven scholarship that proliferates in mainstream IP publications to offer models of genuinely significant IP research. The essays extend and deepen critical scrutiny of such key concepts in IP law as creative 'authorship' and original 'work', and address the neglected topic of the institutional management of creative output.' Martha Woodmansee, Case Western Reserve University, Cleveland

• Part I. Introduction: 1. Franchise dynamics, creativity and the law Kathy Bowrey and Michael Handler; Part II. The Productivity of the Author Model: Authors, Collaborators and Non-Authors: 2. The author strikes back: mutating authorship in the expanded universe Lionel Bently and Laura Biron; 3. Franchises, imaginary worlds, authorship and fandom David Lindsay; 4. Digital sampling and music industry practices, re-spun Johnson Okpaluba; Part III. Managing Authorship: 5. Building and rebuilding reputations: reflections on the role of defamation law in the life of a celebrity David Rolph; 6. Dramatic copyright and the Disneyfication of theatre space Brent Salter and Kathy Bowrey; 7. Instituting copyright: reconciling copyright law and industry practice in the Australian film and television sector Kathy Bowrey and Michael Handler; 8. Flamenco music in copyright historiography José Bellido; Part IV. Group Rights and Culture: 9. Arts festivals: property, heritage or more? Fiona Macmillan; 10. Franchising carnival: issues of rights and cultural identity Sharon Le Gall.

Kathy Bowrey is a Professor at the Faculty of Law, University of New South Wales, Sydney. Michael Handler is an Associate Professor at the Faculty of Law, University of New South Wales, Sydney.

'This rich collection details the complex, dispersed collaboration involved in the development of successful entertainment 'franchises' - arguably among the most powerful modes of creative production today. The ten essays depart from the kind of narrow, doctrine-driven scholarship that proliferates in mainstream IP publications to offer models of genuinely significant IP research. The essays extend and deepen critical scrutiny of such key concepts in IP law as creative 'authorship' and original 'work', and address the neglected topic of the institutional management of creative output.' Martha Woodmansee, Case Western Reserve University, Cleveland

• Part I. Introduction: 1. Franchise dynamics, creativity and the law Kathy Bowrey and Michael Handler; Part II. The Productivity of the Author Model: Authors, Collaborators and Non-Authors: 2. The author strikes back: mutating authorship in the expanded universe Lionel Bently and Laura Biron; 3. Franchises, imaginary worlds, authorship and fandom David Lindsay; 4. Digital sampling and music industry practices, re-spun Johnson Okpaluba; Part III. Managing Authorship: 5. Building and rebuilding reputations: reflections on the role of defamation law in the life of a celebrity David Rolph; 6. Dramatic copyright and the Disneyfication of theatre space Brent Salter and Kathy Bowrey; 7. Instituting copyright: reconciling copyright law and industry practice in the Australian film and television sector Kathy Bowrey and Michael Handler; 8. Flamenco music in copyright historiography José Bellido; Part IV. Group Rights and Culture: 9. Arts festivals: property, heritage or more? Fiona Macmillan; 10. Franchising carnival: issues of rights and cultural identity Sharon Le Gall.

Kathy Bowrey is a Professor at the Faculty of Law, University of New South Wales, Sydney. Michael Handler is an Associate Professor at the Faculty of Law, University of New South Wales, Sydney.

'This rich collection details the complex, dispersed collaboration involved in the development of successful entertainment 'franchises' - arguably among the most powerful modes of creative production today. The ten essays depart from the kind of narrow, doctrine-driven scholarship that proliferates in mainstream IP publications to offer models of genuinely significant IP research. The essays extend and deepen critical scrutiny of such key concepts in IP law as creative 'authorship' and original 'work', and address the neglected topic of the institutional management of creative output.' Martha Woodmansee, Case Western Reserve University, Cleveland

• Part I. Introduction: 1. Franchise dynamics, creativity and the law Kathy Bowrey and Michael Handler; Part II. The Productivity of the Author Model: Authors, Collaborators and Non-Authors: 2. The author strikes back: mutating authorship in the expanded universe Lionel Bently and Laura Biron; 3. Franchises, imaginary worlds, authorship and fandom David Lindsay; 4. Digital sampling and music industry practices, re-spun Johnson Okpaluba; Part III. Managing Authorship: 5. Building and rebuilding reputations: reflections on the role of defamation law in the life of a celebrity David Rolph; 6. Dramatic copyright and the Disneyfication of theatre space Brent Salter and Kathy Bowrey; 7. Instituting copyright: reconciling copyright law and industry practice in the Australian film and television sector Kathy Bowrey and Michael Handler; 8. Flamenco music in copyright historiography José Bellido; Part IV. Group Rights and Culture: 9. Arts festivals: property, heritage or more? Fiona Macmillan; 10. Franchising carnival: issues of rights and cultural identity Sharon Le Gall.