Diego Saglia is Professor of English Literature at the Universit... degli Studi, Parma. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000) and co-editor of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (with Laura Bandiera, 2005) and Byron and Italy (with Alan Rawes, 2017), as well as numerous critical essays in international journals.

'His book must be understood as an invitation to approach the big questions again, refreshed and renewed. This is the sort of intelligent challenge Romanticists and Romanticism needs. His excellent book is accommodating yet partial, compendious yet incomplete. It is an incitement to rethink Romanticism and its reach.' Bysshe Inigo Coffey, The Wordsworth Circle

• Acknowledgements; Preface; Introduction: Continental literatures in Romantic-period Britain; 1. Periodicals and the construction of European literatures; 2. Interpreting nations: 1820s anthologies of foreign poetry; 3. Italian studies and cultural translation at Holland House; 4. Foreign presences on the national stage; 5. Continental voices and post-Napoleonic politics in Southey, Byron and Hemans; Coda: the European vistas of historical fiction; Notes; Select bibliography; Index.

Diego Saglia is Professor of English Literature at the Universit... degli Studi, Parma. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000) and co-editor of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (with Laura Bandiera, 2005) and Byron and Italy (with Alan Rawes, 2017), as well as numerous critical essays in international journals.

'His book must be understood as an invitation to approach the big questions again, refreshed and renewed. This is the sort of intelligent challenge Romanticists and Romanticism needs. His excellent book is accommodating yet partial, compendious yet incomplete. It is an incitement to rethink Romanticism and its reach.' Bysshe Inigo Coffey, The Wordsworth Circle

• Acknowledgements; Preface; Introduction: Continental literatures in Romantic-period Britain; 1. Periodicals and the construction of European literatures; 2. Interpreting nations: 1820s anthologies of foreign poetry; 3. Italian studies and cultural translation at Holland House; 4. Foreign presences on the national stage; 5. Continental voices and post-Napoleonic politics in Southey, Byron and Hemans; Coda: the European vistas of historical fiction; Notes; Select bibliography; Index.

Diego Saglia is Professor of English Literature at the Universit... degli Studi, Parma. He is the author of Poetic Castles in Spain: British Romanticism and Figurations of Iberia (2000) and co-editor of British Romanticism and Italian Literature: Translating, Reviewing, Rewriting (with Laura Bandiera, 2005) and Byron and Italy (with Alan Rawes, 2017), as well as numerous critical essays in international journals.

'His book must be understood as an invitation to approach the big questions again, refreshed and renewed. This is the sort of intelligent challenge Romanticists and Romanticism needs. His excellent book is accommodating yet partial, compendious yet incomplete. It is an incitement to rethink Romanticism and its reach.' Bysshe Inigo Coffey, The Wordsworth Circle

• Acknowledgements; Preface; Introduction: Continental literatures in Romantic-period Britain; 1. Periodicals and the construction of European literatures; 2. Interpreting nations: 1820s anthologies of foreign poetry; 3. Italian studies and cultural translation at Holland House; 4. Foreign presences on the national stage; 5. Continental voices and post-Napoleonic politics in Southey, Byron and Hemans; Coda: the European vistas of historical fiction; Notes; Select bibliography; Index.