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Clare Finburgh Delijani - A New History of Theatre in France, Häftad

Häftad, Engelska, 2026

A New History of Theatre in France

Av Clare Finburgh Delijani

519 kr

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Beskrivning
Theatre in France was the first in Europe to be written in the vernacular as opposed to Latin. It has provided the English language with the medieval word farce, the early-modern word role, and the modern term mise en scène. Molière is single-handedly responsible for launching European-style playwriting in North Africa. Today, it is only a slight exaggeration to say that it's harder to get tickets for the Festival d'Avignon, one of the world's largest theatre festivals, than for the Rolling Stones' farewell tour. Containing chapters by globally eminent theatre experts, many of whom will be read in English for the first time, this collaborative history testifies to the central part theatre has played for over a thousand years in both French culture and world culture. Crucially, too, it places centre-stage the genders, ethnicities and classes that have had to wait in the wings of theatres, and of theatre criticism.
Produktinformation
  • Utgivningsdatum: 2026-01-08
  • Mått: 152 x 228 x 28 mm
  • Vikt: 683 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 476
  • Förlag: Cambridge University Press
  • ISBN: 9781108827904
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Mer om författaren

Clare Finburgh Delijani is the recipient of a Leverhulme Major Research Fellowship (2023–26) and is one of the leading specialists in theatre and performance from the French-speaking world. She is currently writing a history of postcolonial theatre in France from the 1950s to the present day. Christian Biet was professor of theatre and performance at Paris Nanterre University, and visiting professor at New York University. Beginning his career as a specialist in the seventeenth-century French golden age, he diversified into areas including performance studies and theatre from East Asia.

Recensioner i media

'A New History of Theatre in France is an exciting book that brings fresh insight and ranges from the fifteenth century to the present time. Unlike previous histories of French theatre, Finburgh Delijani's collection both highlights the central part theatre has played in French culture over the centuries and updates the specificities and interconnections between different periods and geographical locations that make up the French theatrical landscape.' Osita Okagbue, Professor of Theatre and Performance, Goldsmiths, University of London

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