Häftad, Engelska, 2015
Companion to the Historical Film
Av Robert A. Rosenstone, Constantin Parvulescu
678 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2015-11-20
- Mått: 170 x 244 x 25 mm
- Vikt: 1 022 g
- Format: Häftad
- Språk: Engelska
- Antal sidor: 592
- Förlag: John Wiley and Sons Ltd
- ISBN: 9781119169574
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Robert A. Rosenstone is Professor Emeritus of History at the California Institute of Technology. His recent scholarship has focused on the overlapping topics of new narrative forms and history’s relationship to the visual media. He has published a dozen books, including Romantic Revolutionary: A Biography of John Reed (1975) , Mirror in the Shrine: American Encounters in Meiji Japan (1988), and King of Odessa: A Novel of Isaac Babel (2005). His works on film include Visions of the Past: the Challenge of Film to Our Idea of History (1995), Revisioning History: Film and the Construction of a New Past (1995), and History on Film / Film on History (2006, 2nd edition 2012). He created the film section of the American Historical Review and has lectured around the world.Constantin Parvulescu is research fellow at the Institute for Culture and Society at the University of Navarra. He is the author of Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject, Indiana University Press, 2015, and has published several articles on the relationship between cinema, history, and political and economic dicsourse.
Recensioner i media
"Overall, this work offers a serious and scholarly overview of several genres of historical film and would make a useful addition to academic collections in particular." (Reference Reviews, 1 June 2014)"Ultimately, this important collection will prove a useful and accessible resource for researchers and pedagogues both and deserves to be a fixture in the reading lists of students of history as well as film and cultural studies. It would certainly be useful to hear what historians have to say about these analyses and how those in that discipline are coping with the idea that dramatic recreations, fictions and documentaries might be treated seriously for the theses they present on the experience and understanding of the past." (Historical Journal of Film, Radio and Television, 1 March 2014)"Summing Up: Highly recommended. Lower-division undergraduates through faculty." (Choice, 1 August 2013)
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