David Greven is Associate Professor of English at the University of South Carolina, USA. His books include Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese and Friedkin; The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender; and Men Beyond Desire: Manhood, Sex, and Violation in American Literature. Greven's essays on film have been published in journals such as the Quarterly Review of Film and Video, Cinema Journal, Genders, Jump Cut, CineAction, and Cineaste and he is on the editorial boards of Cinema Journal, Genders, and Poe Studies.

"In this sharp, reasonably priced book, Greven (English, Univ. of Southern Carolina) examines--as the title clearly indicates--the ways in which women are represented in American genre films. ... This would be an excellent resource for a course in these genres. Carefully considered and accessibly written, this is a challenging and daring work. Summing Up: Highly recommended. Upper-division undergraduates through faculty." (G. A. Foster, Choice, Vol. 51 (9), May, 2014)

• Femininity and Film Genres Freud and the Death-Mother Transformations of the Woman's Film Modern Horror as the Concealed Woman's Film Medusa in the Mirror: Brian De Palma's Carrie Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films The Finalizing Woman: Horror, Femininity, and Queer Monsters The Brave One

David Greven is Associate Professor of English at the University of South Carolina, USA. His books include Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese and Friedkin; The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender; and Men Beyond Desire: Manhood, Sex, and Violation in American Literature. Greven's essays on film have been published in journals such as the Quarterly Review of Film and Video, Cinema Journal, Genders, Jump Cut, CineAction, and Cineaste and he is on the editorial boards of Cinema Journal, Genders, and Poe Studies.

"In this sharp, reasonably priced book, Greven (English, Univ. of Southern Carolina) examines--as the title clearly indicates--the ways in which women are represented in American genre films. ... This would be an excellent resource for a course in these genres. Carefully considered and accessibly written, this is a challenging and daring work. Summing Up: Highly recommended. Upper-division undergraduates through faculty." (G. A. Foster, Choice, Vol. 51 (9), May, 2014)

• Femininity and Film Genres Freud and the Death-Mother Transformations of the Woman's Film Modern Horror as the Concealed Woman's Film Medusa in the Mirror: Brian De Palma's Carrie Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films The Finalizing Woman: Horror, Femininity, and Queer Monsters The Brave One

David Greven is Associate Professor of English at the University of South Carolina, USA. His books include Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese and Friedkin; The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender; and Men Beyond Desire: Manhood, Sex, and Violation in American Literature. Greven's essays on film have been published in journals such as the Quarterly Review of Film and Video, Cinema Journal, Genders, Jump Cut, CineAction, and Cineaste and he is on the editorial boards of Cinema Journal, Genders, and Poe Studies.

"In this sharp, reasonably priced book, Greven (English, Univ. of Southern Carolina) examines--as the title clearly indicates--the ways in which women are represented in American genre films. ... This would be an excellent resource for a course in these genres. Carefully considered and accessibly written, this is a challenging and daring work. Summing Up: Highly recommended. Upper-division undergraduates through faculty." (G. A. Foster, Choice, Vol. 51 (9), May, 2014)

• Femininity and Film Genres Freud and the Death-Mother Transformations of the Woman's Film Modern Horror as the Concealed Woman's Film Medusa in the Mirror: Brian De Palma's Carrie Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films The Finalizing Woman: Horror, Femininity, and Queer Monsters The Brave One