Robin D. G. Kelley is Professor of American Studies and Ethnicity at the University of Southern California, USA. He is the author of the prize-winning books Thelonious Monk: The Life and Times of an American Original (Free Press, 2009)and Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002). Stephen Tuck is University Lecturer in American History and a tutor and fellow at Pembroke College, Oxford University, UK. He is the author of the prize-winning books We Ain't What We Ought To Be: The Black Freedom Struggle from Emancipation to Obama (Harvard University Press, 2010) and Beyond Atlanta: The Struggle for Racial Equality in Georgia, 1940-1980 (University of Georgia Press, 2003).

REVIEWER: Gerald Horne, University of Houston-Downtown This manuscript comprises a compendium of articles detailing the relations between the U.S. and U.K. in the context of issues concerning racism, Jim Crow, immigration and the like. It mostly concerns the 20th century and heavily focuses on the 1950s and 1960s. It is almost trite to say that collections tend to be uneven, perhaps a product of their being the product of different hands with varying strengths and weaknesses. The same can be said about this collection. It *definitely* merits publication. It could be published as is and, I am reasonably certain, would receive mostly positive reviews. However, my own view is that the book would be strengthened if the Editors of this volume penned a stronger Introduction that could stand on its own as a contribution to the book's overriding themes. For example, the Editors could provide a broader context that would strengthen the volume by e.g. pointing to the 'Anglo-philia' of Africans in North America stemming at least from June 1772 and Somerset's Case, which put London on the fast track to abolition as the republic lagged behind. As the historians like to say, it is no accident that more Africans fought alongside the redcoats against the victorious rebels-by an order of magnitude than vice versa; this alliance continued during the 1812 war and during a time when Canada was a sanctuary for Africans fleeing the republic. It would be useful to trace how this trend morphed to the point whereby-as Webb suggests-Dixie thought London would be an ally in the mid-20th century. Further, the Editors could place emphasis on the differences. There are the obvious ones: Claudia Jones expelled as a radical by the republic and finding a new home as a leader in the monarchy. What does that tell us about the conservatism of the U.S.? Or the relative openness of London? What of the difference between how a regime treats second class citizens (U.S. Negroes) vs. recent migrants (U.K.)? What of how U.S. Negroes were treated in London (often better than 'local' Africans) versus how Africans and 'West Indians' were treated in the republic (often better than U.S. Negroes)? What about local peculiarities in the U.K.? For example, 'accent' discrimination. (See reception of Otis Redding, for example, p. 249. In that light, is acceptance of Stax more of a 'respectable' way to accept the U.S. than anything else, rather than-as portrayed-a positive embrace of U.S. Negroes? What of differences in treatment between those from colonial 'possessions' in London versus third-class citizens in Manhattan? What of presumed relatives and representatives of 'national liberation movements' (Caribbean and Africa in London) versus those who were not (Manhattan)? Per Rosie Wild, why don't Editors riff on the difference the way 'Black' is defined in London vs. New York (or Cape Town, for that matter)? To that end, why was 'Black Power' in London seemingly more internationalist than its trans-oceanic counterpart? Why was 'Black Power' in UK 'mostly populated by African Caribbeans' and not continental Africans? (p. 72) What happened to the 'revolutionary potential of soul music'? (p. 225) Was this goal realized? Why? Why not? p. 259: Did pro-gay rights Goldwater actually 'set the subsequent standard for hard-right politics in America'? (Speaking of which, why 'America'? Why not the U.S.? Why accept this casual territorial arrogation?) And what about London as a site for Diaspora, sharing notes and the like-e.g. Robeson and Kenyatta sharing a flat during the 1930s? There are numerous examples like this. As for music, since Street does not note it, why don't the Editors comment on the 'anomaly' of the 'British Invasion'? That is, the Beatles, Stones and the like-as is widely known-basically absorbing Black American music and making fortunes by selling it back to the U.S. encased in a 'white' form? What about Sadie Alexander of Philadelphia-to this day perhaps the best-trained intellectual among African-Americans (multiple degrees from Penn)? Her father, Aaron Mosell-also a relative of Robeson-was too a Penn grad and an attorney, who then became a lawyer in South Africa before pitching up in Cardiff where he was a leader there for years. I assume St. Clair Drake wrote about him though Gaines does not mention it. The Editors should then. Again, this is a worthy volume that could be published as is, quite easily. However, the Editors should seek to make a synthetic contribution of their own to strengthen this entire work.

• 1. "U.S. Negroes, Your Fight is Our Fight": Black Britons and the 1963 March on Washington; Kennetta Hammond Perry2. "Black Was the Colour of our Fight": The Transnational Roots of British Black Power; Rosie WildIndividual Life: A Black Englishman in the Heart of the Confederacy: The Transnational Life of Paul Stephenson; Nick Juravich3. Caribbean Left: Diasporic Circulations; Carole Boyce Davies4. Scholar-Activist St. Clair Drake and the Transatlantic World of Black Radicalism; Kevin GainesIndividual Life: "We all became black": Tony Soares, African-American internationalists, and anti-imperialism; Anne-Marie Angelo5. A Heavy Load: The American Civil Rights Movement and the Northern Ireland Civil Rights Movement; Marc Mulholland6. Containing Racism?: The London Experience, 1957-1968; John DavisIndividual Life: From Manchester to Monroe: The unexpected journey of Constance Lever; Stephen Tuck and Imaobong Umoren7. "Nobody in This World Is Better Than Us":Calypso in the Age of Decolonization and Civil Rights; Joshua B. Guild8. Stax, Subcultures, and Civil Rights: Young Britain and the Politics of Soul Music in the 1960s; Joe StreetIndividual Life: From Guy Warren to Kofi Ghanaba: A Life of Trans-Atlantic (Dis)Connections; Robin Kelley9. Violence at Desmond's Hip City: Gender and Soul Power in London; Tanisha C. Ford10. Brotherhood, Betrayal, and Rivers of Blood: Southern Segregationists and British Race Relations; Clive Webb

Robin D. G. Kelley is Professor of American Studies and Ethnicity at the University of Southern California, USA. He is the author of the prize-winning books Thelonious Monk: The Life and Times of an American Original (Free Press, 2009)and Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002). Stephen Tuck is University Lecturer in American History and a tutor and fellow at Pembroke College, Oxford University, UK. He is the author of the prize-winning books We Ain't What We Ought To Be: The Black Freedom Struggle from Emancipation to Obama (Harvard University Press, 2010) and Beyond Atlanta: The Struggle for Racial Equality in Georgia, 1940-1980 (University of Georgia Press, 2003).

REVIEWER: Gerald Horne, University of Houston-Downtown This manuscript comprises a compendium of articles detailing the relations between the U.S. and U.K. in the context of issues concerning racism, Jim Crow, immigration and the like. It mostly concerns the 20th century and heavily focuses on the 1950s and 1960s. It is almost trite to say that collections tend to be uneven, perhaps a product of their being the product of different hands with varying strengths and weaknesses. The same can be said about this collection. It *definitely* merits publication. It could be published as is and, I am reasonably certain, would receive mostly positive reviews. However, my own view is that the book would be strengthened if the Editors of this volume penned a stronger Introduction that could stand on its own as a contribution to the book's overriding themes. For example, the Editors could provide a broader context that would strengthen the volume by e.g. pointing to the 'Anglo-philia' of Africans in North America stemming at least from June 1772 and Somerset's Case, which put London on the fast track to abolition as the republic lagged behind. As the historians like to say, it is no accident that more Africans fought alongside the redcoats against the victorious rebels-by an order of magnitude than vice versa; this alliance continued during the 1812 war and during a time when Canada was a sanctuary for Africans fleeing the republic. It would be useful to trace how this trend morphed to the point whereby-as Webb suggests-Dixie thought London would be an ally in the mid-20th century. Further, the Editors could place emphasis on the differences. There are the obvious ones: Claudia Jones expelled as a radical by the republic and finding a new home as a leader in the monarchy. What does that tell us about the conservatism of the U.S.? Or the relative openness of London? What of the difference between how a regime treats second class citizens (U.S. Negroes) vs. recent migrants (U.K.)? What of how U.S. Negroes were treated in London (often better than 'local' Africans) versus how Africans and 'West Indians' were treated in the republic (often better than U.S. Negroes)? What about local peculiarities in the U.K.? For example, 'accent' discrimination. (See reception of Otis Redding, for example, p. 249. In that light, is acceptance of Stax more of a 'respectable' way to accept the U.S. than anything else, rather than-as portrayed-a positive embrace of U.S. Negroes? What of differences in treatment between those from colonial 'possessions' in London versus third-class citizens in Manhattan? What of presumed relatives and representatives of 'national liberation movements' (Caribbean and Africa in London) versus those who were not (Manhattan)? Per Rosie Wild, why don't Editors riff on the difference the way 'Black' is defined in London vs. New York (or Cape Town, for that matter)? To that end, why was 'Black Power' in London seemingly more internationalist than its trans-oceanic counterpart? Why was 'Black Power' in UK 'mostly populated by African Caribbeans' and not continental Africans? (p. 72) What happened to the 'revolutionary potential of soul music'? (p. 225) Was this goal realized? Why? Why not? p. 259: Did pro-gay rights Goldwater actually 'set the subsequent standard for hard-right politics in America'? (Speaking of which, why 'America'? Why not the U.S.? Why accept this casual territorial arrogation?) And what about London as a site for Diaspora, sharing notes and the like-e.g. Robeson and Kenyatta sharing a flat during the 1930s? There are numerous examples like this. As for music, since Street does not note it, why don't the Editors comment on the 'anomaly' of the 'British Invasion'? That is, the Beatles, Stones and the like-as is widely known-basically absorbing Black American music and making fortunes by selling it back to the U.S. encased in a 'white' form? What about Sadie Alexander of Philadelphia-to this day perhaps the best-trained intellectual among African-Americans (multiple degrees from Penn)? Her father, Aaron Mosell-also a relative of Robeson-was too a Penn grad and an attorney, who then became a lawyer in South Africa before pitching up in Cardiff where he was a leader there for years. I assume St. Clair Drake wrote about him though Gaines does not mention it. The Editors should then. Again, this is a worthy volume that could be published as is, quite easily. However, the Editors should seek to make a synthetic contribution of their own to strengthen this entire work.

• 1. "U.S. Negroes, Your Fight is Our Fight": Black Britons and the 1963 March on Washington; Kennetta Hammond Perry2. "Black Was the Colour of our Fight": The Transnational Roots of British Black Power; Rosie WildIndividual Life: A Black Englishman in the Heart of the Confederacy: The Transnational Life of Paul Stephenson; Nick Juravich3. Caribbean Left: Diasporic Circulations; Carole Boyce Davies4. Scholar-Activist St. Clair Drake and the Transatlantic World of Black Radicalism; Kevin GainesIndividual Life: "We all became black": Tony Soares, African-American internationalists, and anti-imperialism; Anne-Marie Angelo5. A Heavy Load: The American Civil Rights Movement and the Northern Ireland Civil Rights Movement; Marc Mulholland6. Containing Racism?: The London Experience, 1957-1968; John DavisIndividual Life: From Manchester to Monroe: The unexpected journey of Constance Lever; Stephen Tuck and Imaobong Umoren7. "Nobody in This World Is Better Than Us":Calypso in the Age of Decolonization and Civil Rights; Joshua B. Guild8. Stax, Subcultures, and Civil Rights: Young Britain and the Politics of Soul Music in the 1960s; Joe StreetIndividual Life: From Guy Warren to Kofi Ghanaba: A Life of Trans-Atlantic (Dis)Connections; Robin Kelley9. Violence at Desmond's Hip City: Gender and Soul Power in London; Tanisha C. Ford10. Brotherhood, Betrayal, and Rivers of Blood: Southern Segregationists and British Race Relations; Clive Webb