Led by Professor Julie Holledge (Centre for Ibsen Studies, University of Oslo), this collaborative project brings together Ibsen specialists with scholars in digital humanities and theatre studies: Dr Jonathan Bollen (University of New South Wales, Australia), Director of AusStage, the Australian database for researching performance (2006-13); Professor Frode Helland, (Director of the Centre for Ibsen Studies, University of Oslo, Norway), author of Ibsen in Practice (2015); and Professor Joanne Tompkins (University of Queensland, Australia), author of Theatre’s Heterotopias (2014), and co-author with Holledge of Women’s Intercultural Performance (2001), winner of the Rob Jordan Book Prize.

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• Introduction.- Part I. Cultural Transmission.- Chapter 1. Mapping the Early Noras.- Chapter 2. ‘Peddling’ Et dukkehjem.- Part II. Adaptation.- Chapter 3. Adaptation at a Distance.- Chapter 4. Ibsen’s Challenge.- Conclusion.- Bibliography.

Led by Professor Julie Holledge (Centre for Ibsen Studies, University of Oslo), this collaborative project brings together Ibsen specialists with scholars in digital humanities and theatre studies: Dr Jonathan Bollen (University of New South Wales, Australia), Director of AusStage, the Australian database for researching performance (2006-13); Professor Frode Helland, (Director of the Centre for Ibsen Studies, University of Oslo, Norway), author of Ibsen in Practice (2015); and Professor Joanne Tompkins (University of Queensland, Australia), author of Theatre’s Heterotopias (2014), and co-author with Holledge of Women’s Intercultural Performance (2001), winner of the Rob Jordan Book Prize.

Select Guide Rating

• Introduction.- Part I. Cultural Transmission.- Chapter 1. Mapping the Early Noras.- Chapter 2. ‘Peddling’ Et dukkehjem.- Part II. Adaptation.- Chapter 3. Adaptation at a Distance.- Chapter 4. Ibsen’s Challenge.- Conclusion.- Bibliography.

Led by Professor Julie Holledge (Centre for Ibsen Studies, University of Oslo), this collaborative project brings together Ibsen specialists with scholars in digital humanities and theatre studies: Dr Jonathan Bollen (University of New South Wales, Australia), Director of AusStage, the Australian database for researching performance (2006-13); Professor Frode Helland, (Director of the Centre for Ibsen Studies, University of Oslo, Norway), author of Ibsen in Practice (2015); and Professor Joanne Tompkins (University of Queensland, Australia), author of Theatre’s Heterotopias (2014), and co-author with Holledge of Women’s Intercultural Performance (2001), winner of the Rob Jordan Book Prize.

Select Guide Rating

• Introduction.- Part I. Cultural Transmission.- Chapter 1. Mapping the Early Noras.- Chapter 2. ‘Peddling’ Et dukkehjem.- Part II. Adaptation.- Chapter 3. Adaptation at a Distance.- Chapter 4. Ibsen’s Challenge.- Conclusion.- Bibliography.