David Leiwei Li is Professor of English and the Collins Professor of the Humanities at the University of Oregon, USA.

• Introduction: "Culture and Contemporary Chinese Cinema in the Second Coming of Capitalism" Part I: Homo Economicus: Individual Liberty and Market Dependency 1. "Primitive Accumulation and the Emergence of the Liberal Subject in the People’s Republic: Zhang Yimou’s Red Sorghum and Zhou Xiaowen’s Ermo" 2. "Crazy English with a Chinese Face: Zhang Yuan’s Documentary on the Neoliberal Pedagogy of the Self" Part II: Homo Sentimentalis: The Transformation of Family and Intimacy 3. Neoliberalism’s Family Values: (Re)production and (Re)creation in Ang Lee’s Trilogy and Zhang Yimou’s Happy Times 4. The Deregulation of Affect in Hou Hsiao-hsien and Yang De-chang Part III: Homo Ethicus: Towards Ecological Justice 5. "The World of Jia Zhangke Viewed: Neorealist Aesthetics against Neoliberal Logics" 6. "Abiding by Nature’s Time: The Cautionary of Cannibal Capitalism in Fruit Chan’s Dumplings"

David Leiwei Li is Professor of English and the Collins Professor of the Humanities at the University of Oregon, USA.

• Introduction: "Culture and Contemporary Chinese Cinema in the Second Coming of Capitalism" Part I: Homo Economicus: Individual Liberty and Market Dependency 1. "Primitive Accumulation and the Emergence of the Liberal Subject in the People’s Republic: Zhang Yimou’s Red Sorghum and Zhou Xiaowen’s Ermo" 2. "Crazy English with a Chinese Face: Zhang Yuan’s Documentary on the Neoliberal Pedagogy of the Self" Part II: Homo Sentimentalis: The Transformation of Family and Intimacy 3. Neoliberalism’s Family Values: (Re)production and (Re)creation in Ang Lee’s Trilogy and Zhang Yimou’s Happy Times 4. The Deregulation of Affect in Hou Hsiao-hsien and Yang De-chang Part III: Homo Ethicus: Towards Ecological Justice 5. "The World of Jia Zhangke Viewed: Neorealist Aesthetics against Neoliberal Logics" 6. "Abiding by Nature’s Time: The Cautionary of Cannibal Capitalism in Fruit Chan’s Dumplings"

David Leiwei Li is Professor of English and the Collins Professor of the Humanities at the University of Oregon, USA.

• Introduction: "Culture and Contemporary Chinese Cinema in the Second Coming of Capitalism" Part I: Homo Economicus: Individual Liberty and Market Dependency 1. "Primitive Accumulation and the Emergence of the Liberal Subject in the People’s Republic: Zhang Yimou’s Red Sorghum and Zhou Xiaowen’s Ermo" 2. "Crazy English with a Chinese Face: Zhang Yuan’s Documentary on the Neoliberal Pedagogy of the Self" Part II: Homo Sentimentalis: The Transformation of Family and Intimacy 3. Neoliberalism’s Family Values: (Re)production and (Re)creation in Ang Lee’s Trilogy and Zhang Yimou’s Happy Times 4. The Deregulation of Affect in Hou Hsiao-hsien and Yang De-chang Part III: Homo Ethicus: Towards Ecological Justice 5. "The World of Jia Zhangke Viewed: Neorealist Aesthetics against Neoliberal Logics" 6. "Abiding by Nature’s Time: The Cautionary of Cannibal Capitalism in Fruit Chan’s Dumplings"