Nadia Atia is Senior Lecturer in World Literature in the Department of English at Queen Mary, University of London, UK. Kate Houldenis Senior Lecturer in World Literature in the Department of English, Film and Media at Anglia Ruskin University, UK.

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• List of FiguresAcknowledgementsIntroductionNADIA ATIA AND KATE HOULDENPART IThe Radical Popular1 ‘Welcome to The University of Brixton’: BBC Radio and the West Indian EverydayRACHAEL GILMOUR2 FUTURE HISTORIES – an Activist Practice of ArchivingALDA TERRACCIANO3 Sequential Art in the Age of Postcolonial Production: Comics Collectives in Israel and South AfricaCHARLOTTA SALMIPART IIThe Middlebrow4 Murder in Mesopotamia: Agatha Christie’s Life and Work in the Middle EastNADIA ATIA5 ‘Junior Romantic Anthropologist Bore’: Colin MacInnes’s Critical Adventures in Post-war Multiracial BritainALICE FERREBE6 Tarzan the Ape Man: Screening ‘the subordination of women, nature and colonies’ in the 1930sCHRIS CAMPBELLPART IIICommodification7 Subcultural Fiction and the Market for MulticulturalismSARAH ILOTT8 Everything Must Go: Popularity and the Postcolonial NovelSAM GOODMAN9 Consuming Post-millennial Indian Chick Lit: Visuality and the Popular in Post-millennial IndiaE. DAWSON VARUGHESEPART IVTechnology10 Monster Mines and Pipelines: Frankenstein Figures of Tar Sands Technology in Canadian Popular CultureMARK A. MCCUTCHEON11 African or Virtual, Popular or Poetry: The Spoken Word Platform Word N Sound SeriesRICARDA DE HAAS12 The Postcolonial Geek and Popular Culture in a Global EraWENDY KNEPPERIndex

Nadia Atia is Senior Lecturer in World Literature in the Department of English at Queen Mary, University of London, UK. Kate Houldenis Senior Lecturer in World Literature in the Department of English, Film and Media at Anglia Ruskin University, UK.

Select Guide Rating

• List of FiguresAcknowledgementsIntroductionNADIA ATIA AND KATE HOULDENPART IThe Radical Popular1 ‘Welcome to The University of Brixton’: BBC Radio and the West Indian EverydayRACHAEL GILMOUR2 FUTURE HISTORIES – an Activist Practice of ArchivingALDA TERRACCIANO3 Sequential Art in the Age of Postcolonial Production: Comics Collectives in Israel and South AfricaCHARLOTTA SALMIPART IIThe Middlebrow4 Murder in Mesopotamia: Agatha Christie’s Life and Work in the Middle EastNADIA ATIA5 ‘Junior Romantic Anthropologist Bore’: Colin MacInnes’s Critical Adventures in Post-war Multiracial BritainALICE FERREBE6 Tarzan the Ape Man: Screening ‘the subordination of women, nature and colonies’ in the 1930sCHRIS CAMPBELLPART IIICommodification7 Subcultural Fiction and the Market for MulticulturalismSARAH ILOTT8 Everything Must Go: Popularity and the Postcolonial NovelSAM GOODMAN9 Consuming Post-millennial Indian Chick Lit: Visuality and the Popular in Post-millennial IndiaE. DAWSON VARUGHESEPART IVTechnology10 Monster Mines and Pipelines: Frankenstein Figures of Tar Sands Technology in Canadian Popular CultureMARK A. MCCUTCHEON11 African or Virtual, Popular or Poetry: The Spoken Word Platform Word N Sound SeriesRICARDA DE HAAS12 The Postcolonial Geek and Popular Culture in a Global EraWENDY KNEPPERIndex

Nadia Atia is Senior Lecturer in World Literature in the Department of English at Queen Mary, University of London, UK. Kate Houldenis Senior Lecturer in World Literature in the Department of English, Film and Media at Anglia Ruskin University, UK.

Select Guide Rating

• List of FiguresAcknowledgementsIntroductionNADIA ATIA AND KATE HOULDENPART IThe Radical Popular1 ‘Welcome to The University of Brixton’: BBC Radio and the West Indian EverydayRACHAEL GILMOUR2 FUTURE HISTORIES – an Activist Practice of ArchivingALDA TERRACCIANO3 Sequential Art in the Age of Postcolonial Production: Comics Collectives in Israel and South AfricaCHARLOTTA SALMIPART IIThe Middlebrow4 Murder in Mesopotamia: Agatha Christie’s Life and Work in the Middle EastNADIA ATIA5 ‘Junior Romantic Anthropologist Bore’: Colin MacInnes’s Critical Adventures in Post-war Multiracial BritainALICE FERREBE6 Tarzan the Ape Man: Screening ‘the subordination of women, nature and colonies’ in the 1930sCHRIS CAMPBELLPART IIICommodification7 Subcultural Fiction and the Market for MulticulturalismSARAH ILOTT8 Everything Must Go: Popularity and the Postcolonial NovelSAM GOODMAN9 Consuming Post-millennial Indian Chick Lit: Visuality and the Popular in Post-millennial IndiaE. DAWSON VARUGHESEPART IVTechnology10 Monster Mines and Pipelines: Frankenstein Figures of Tar Sands Technology in Canadian Popular CultureMARK A. MCCUTCHEON11 African or Virtual, Popular or Poetry: The Spoken Word Platform Word N Sound SeriesRICARDA DE HAAS12 The Postcolonial Geek and Popular Culture in a Global EraWENDY KNEPPERIndex