Pwyll ap Siôn is senior lecturer in music in the School of Music, University of North Wales, Bangor, UK.

�This book tells the story of Nyman�s work, it reveals the sources and explains the processes of his compositional methodology. It uncovers and displays some of the items in his musical curiosity cabinet and ... presents us with the extended and eccentric ears that hear those enigmatic harmonies.� Robert Worby �Ap Siôn outlines large themes in this book with such mastery and clarity, and the sections on the experimental music tradition are handled extremely well.� Michael Nyman �Ap Siôn's line of argument is overall very clear, his research culture is oriented at the highest standard of both classical and critical musicology at the same time... The book has indeed the potential to become a standard work in the Nyman bibliography and will surely be a basis for further research and elaboration on the oeuvre of this authentic British composer.� NABMSA Newsletter �This is an illuminating and eminently interesting addition to the literature on the music of recent times, as well as a fine introduction to both Nyman and the issues associated with his work.� Music Theory Online �... [a] ground-breaking study ... it represents a substantial contribution to musicology ... the study succeeds in its illustration of the subtlety and sophistication of Nyman�s art of reworking. It also illuminates intertextuality, a topic as relevant to currents in postmodern music as it is to compositional strategies stretching back centuries across musical history.� Music and Letters

• Contents: Foreword; Introduction; Nyman 'on trial'; Man and boy: the early years; Texts in context; Mapping intertextuality in Nyman; Parallel universes: the Nyman-Greenaway soundtracks; Quotation in Nyman's neurological opera; Unchained melodies: intertextuality and inter-referentiality in the string quartets; The author returns: music at The Piano; Gene sequences and musical sequences: Facing Goya; Conclusion; Bibliography; Index.

Pwyll ap Siôn is senior lecturer in music in the School of Music, University of North Wales, Bangor, UK.

�This book tells the story of Nyman�s work, it reveals the sources and explains the processes of his compositional methodology. It uncovers and displays some of the items in his musical curiosity cabinet and ... presents us with the extended and eccentric ears that hear those enigmatic harmonies.� Robert Worby �Ap Siôn outlines large themes in this book with such mastery and clarity, and the sections on the experimental music tradition are handled extremely well.� Michael Nyman �Ap Siôn's line of argument is overall very clear, his research culture is oriented at the highest standard of both classical and critical musicology at the same time... The book has indeed the potential to become a standard work in the Nyman bibliography and will surely be a basis for further research and elaboration on the oeuvre of this authentic British composer.� NABMSA Newsletter �This is an illuminating and eminently interesting addition to the literature on the music of recent times, as well as a fine introduction to both Nyman and the issues associated with his work.� Music Theory Online �... [a] ground-breaking study ... it represents a substantial contribution to musicology ... the study succeeds in its illustration of the subtlety and sophistication of Nyman�s art of reworking. It also illuminates intertextuality, a topic as relevant to currents in postmodern music as it is to compositional strategies stretching back centuries across musical history.� Music and Letters

• Contents: Foreword; Introduction; Nyman 'on trial'; Man and boy: the early years; Texts in context; Mapping intertextuality in Nyman; Parallel universes: the Nyman-Greenaway soundtracks; Quotation in Nyman's neurological opera; Unchained melodies: intertextuality and inter-referentiality in the string quartets; The author returns: music at The Piano; Gene sequences and musical sequences: Facing Goya; Conclusion; Bibliography; Index.

Pwyll ap Siôn is senior lecturer in music in the School of Music, University of North Wales, Bangor, UK.

�This book tells the story of Nyman�s work, it reveals the sources and explains the processes of his compositional methodology. It uncovers and displays some of the items in his musical curiosity cabinet and ... presents us with the extended and eccentric ears that hear those enigmatic harmonies.� Robert Worby �Ap Siôn outlines large themes in this book with such mastery and clarity, and the sections on the experimental music tradition are handled extremely well.� Michael Nyman �Ap Siôn's line of argument is overall very clear, his research culture is oriented at the highest standard of both classical and critical musicology at the same time... The book has indeed the potential to become a standard work in the Nyman bibliography and will surely be a basis for further research and elaboration on the oeuvre of this authentic British composer.� NABMSA Newsletter �This is an illuminating and eminently interesting addition to the literature on the music of recent times, as well as a fine introduction to both Nyman and the issues associated with his work.� Music Theory Online �... [a] ground-breaking study ... it represents a substantial contribution to musicology ... the study succeeds in its illustration of the subtlety and sophistication of Nyman�s art of reworking. It also illuminates intertextuality, a topic as relevant to currents in postmodern music as it is to compositional strategies stretching back centuries across musical history.� Music and Letters

• Contents: Foreword; Introduction; Nyman 'on trial'; Man and boy: the early years; Texts in context; Mapping intertextuality in Nyman; Parallel universes: the Nyman-Greenaway soundtracks; Quotation in Nyman's neurological opera; Unchained melodies: intertextuality and inter-referentiality in the string quartets; The author returns: music at The Piano; Gene sequences and musical sequences: Facing Goya; Conclusion; Bibliography; Index.