Amanda Adams is Assistant Professor of English at Muskingum University, USA. Her research focuses on nineteenth-century transatlantic culture, gender, and embodiment.

’Each chapter of Amanda Adams’s engaging book tells an interesting story about the emergence of literary celebrity in the second half of the nineteenth century and about the ways in which public performance represented an attempt to control textual reputations.’ Andrew Taylor, University of Edinburgh, UK

• Introduction The Nineteenth-Century Transatlantic Lecture Tour and the Case of Frederick Douglass; Chapter 1 Seen and Not Heard: The Transatlantic Tours of Harriet Martineau and Harriet Beecher Stowe; Chapter 2 Performing Ownership: Dickens, Twain, and Copyright on the Transatlantic Stage; Chapter 3 Apostles in the Flesh: Arnold, Wilde, and the Reproduction of Personality in America; Chapter 4 The Voice of the Master: Henry James and the Paradox of Performance; conclusion Performing Authorship beyond the Nineteenth Century;

Amanda Adams is Assistant Professor of English at Muskingum University, USA. Her research focuses on nineteenth-century transatlantic culture, gender, and embodiment.

’Each chapter of Amanda Adams’s engaging book tells an interesting story about the emergence of literary celebrity in the second half of the nineteenth century and about the ways in which public performance represented an attempt to control textual reputations.’ Andrew Taylor, University of Edinburgh, UK

• Introduction The Nineteenth-Century Transatlantic Lecture Tour and the Case of Frederick Douglass; Chapter 1 Seen and Not Heard: The Transatlantic Tours of Harriet Martineau and Harriet Beecher Stowe; Chapter 2 Performing Ownership: Dickens, Twain, and Copyright on the Transatlantic Stage; Chapter 3 Apostles in the Flesh: Arnold, Wilde, and the Reproduction of Personality in America; Chapter 4 The Voice of the Master: Henry James and the Paradox of Performance; conclusion Performing Authorship beyond the Nineteenth Century;