Terence Heng is a Senior Lecturer in Sociology at the University of Liverpool. He is the author of Visual Methods in the Field: Photography for the Social Sciences (Routledge, 2016), and his work has been featured in Area, The Sociological Review, Cultural Geographies and Visual Communication. He is the 2015 winner of The Sociological Review's Prize for Outstanding Scholarship.

"This stunning book takes a new step for Visual Sociology. Terence Heng has created a remarkable visual monograph. He adeptly brings together his scholarship as a sociologist of religion with a remarkable set of images which engage possibilities of documentary photography to bring us up close to the embodied and performative realities of everyday domestic and public spatialities of Chinese religion in Singapore. Of Gods, Gifts and Ghosts will be a deeply insightful text for researchers and students of visual sociology and the sociology of religion."Sarah Pink, Professor and Director, Emerging Technologies Research Lab, Monash University, Australia"This book is both beautifully visualised and beautifully written. It is a fascinating study of Chinese religion in Singapore which explores the visuality of religious material culture and the visual work of worship through ethnographic writing but also through a series of mostly colour photographs which are so much more than illustrations. Strikingly and thoughtfully composed, this is a work of visual sociology and geography at its most insightful."Gillian Rose, Professor of Human Geography, University of Oxford, UK

• 1. Introduction 2. Visualising the (Spiritual) City 3. The Social Dead, The Agentic Spirit 4. The Hungry Ghost Festival and Aesthetic Juxtaposition 5. Tang-ki as Embodied Spiritual Capital and Arbiters of Sacred Space 6. Intimate Sacred Spaces – The Body and Home 7. The Ebb and Flow of Sacred Spaces 8. Movement and Motion in Sacred Flowscapes 9. Conclusion Epilogue

Terence Heng is a Senior Lecturer in Sociology at the University of Liverpool. He is the author of Visual Methods in the Field: Photography for the Social Sciences (Routledge, 2016), and his work has been featured in Area, The Sociological Review, Cultural Geographies and Visual Communication. He is the 2015 winner of The Sociological Review's Prize for Outstanding Scholarship.

"This stunning book takes a new step for Visual Sociology. Terence Heng has created a remarkable visual monograph. He adeptly brings together his scholarship as a sociologist of religion with a remarkable set of images which engage possibilities of documentary photography to bring us up close to the embodied and performative realities of everyday domestic and public spatialities of Chinese religion in Singapore. Of Gods, Gifts and Ghosts will be a deeply insightful text for researchers and students of visual sociology and the sociology of religion."Sarah Pink, Professor and Director, Emerging Technologies Research Lab, Monash University, Australia"This book is both beautifully visualised and beautifully written. It is a fascinating study of Chinese religion in Singapore which explores the visuality of religious material culture and the visual work of worship through ethnographic writing but also through a series of mostly colour photographs which are so much more than illustrations. Strikingly and thoughtfully composed, this is a work of visual sociology and geography at its most insightful."Gillian Rose, Professor of Human Geography, University of Oxford, UK

• 1. Introduction 2. Visualising the (Spiritual) City 3. The Social Dead, The Agentic Spirit 4. The Hungry Ghost Festival and Aesthetic Juxtaposition 5. Tang-ki as Embodied Spiritual Capital and Arbiters of Sacred Space 6. Intimate Sacred Spaces – The Body and Home 7. The Ebb and Flow of Sacred Spaces 8. Movement and Motion in Sacred Flowscapes 9. Conclusion Epilogue

Terence Heng is a Senior Lecturer in Sociology at the University of Liverpool. He is the author of Visual Methods in the Field: Photography for the Social Sciences (Routledge, 2016), and his work has been featured in Area, The Sociological Review, Cultural Geographies and Visual Communication. He is the 2015 winner of The Sociological Review's Prize for Outstanding Scholarship.

"This stunning book takes a new step for Visual Sociology. Terence Heng has created a remarkable visual monograph. He adeptly brings together his scholarship as a sociologist of religion with a remarkable set of images which engage possibilities of documentary photography to bring us up close to the embodied and performative realities of everyday domestic and public spatialities of Chinese religion in Singapore. Of Gods, Gifts and Ghosts will be a deeply insightful text for researchers and students of visual sociology and the sociology of religion."Sarah Pink, Professor and Director, Emerging Technologies Research Lab, Monash University, Australia"This book is both beautifully visualised and beautifully written. It is a fascinating study of Chinese religion in Singapore which explores the visuality of religious material culture and the visual work of worship through ethnographic writing but also through a series of mostly colour photographs which are so much more than illustrations. Strikingly and thoughtfully composed, this is a work of visual sociology and geography at its most insightful."Gillian Rose, Professor of Human Geography, University of Oxford, UK

• 1. Introduction 2. Visualising the (Spiritual) City 3. The Social Dead, The Agentic Spirit 4. The Hungry Ghost Festival and Aesthetic Juxtaposition 5. Tang-ki as Embodied Spiritual Capital and Arbiters of Sacred Space 6. Intimate Sacred Spaces – The Body and Home 7. The Ebb and Flow of Sacred Spaces 8. Movement and Motion in Sacred Flowscapes 9. Conclusion Epilogue