Marina Rojavin is teaching at Bryn Mawr College. She specializes in Russian language and culture, Soviet film and, in particular, character archetypes in Soviet cinema of 60s–80s; Russian media studies; Russian intellectuals in Imperial Russia; and Russian intelligentsia. Marina has published articles on the semantic category of gender in Russian and Ukrainian and on the grammatical category of gender in Russian. She and Allan Reid published A Guide to Russian Words and Expressions that Cause Difficulties in 2004. Her most recent publications are the textbook Russian for Advanced Students (2013), completed with her colleagues, and the volume Women in Soviet Film: The Thaw and Post-Thaw Periods (2017), edited together with Timothy Harte. Alexander Rojavin is currently in law school, studying international law and public policy. A native speaker of English and Russian, he has focused his undergraduate and graduate studies on Soviet and post-Soviet media space, producing a master’s thesis on media ownership in Ukraine and on the legal framework within which the Ukrainian media operates. Alexander helped translate a series of theater treatises for Nikolai Demidov’s Becoming an Actor-Creator (2016). He has also translated a series of contemporary Russian plays (forthcoming) and a work of creative nonfiction by Yevsey Tseytlin, Long Conversations in Anticipation of a Joyous Death (2018), which grapples with the history and fate of Lithuania’s Jewry.

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