Marina Rojavin – författare

Russian Function Words: Meanings and Use is a collection of 463 prepositions, conjunctions, particles, interjections, and parenthetical words. This book provides a semantic, syntactic, and stylistic analysis of each word, accompanying the explanation with examples of the word’s usage in discourse in contemporary, everyday Russian and analogous translations into English. Consequently, it allows users to develop an understanding of contemporary grammatical, lexical, and stylistic norms, with the aim of mastering these critical words. This book also includes a multitude of idioms and sayings that users will learn to use in the appropriate context. Intermediate and advanced students, instructors, and translators will find this a useful supplement to their existing resources. It also serves as a helpful reference for independent learners at all levels.

Russian Function Words: Meanings and Use is a collection of 463 prepositions, conjunctions, particles, interjections, and parenthetical words. This book provides a semantic, syntactic, and stylistic analysis of each word, accompanying the explanation with examples of the word’s usage in discourse in contemporary, everyday Russian and analogous translations into English. Consequently, it allows users to develop an understanding of contemporary grammatical, lexical, and stylistic norms, with the aim of mastering these critical words. This book also includes a multitude of idioms and sayings that users will learn to use in the appropriate context. Intermediate and advanced students, instructors, and translators will find this a useful supplement to their existing resources. It also serves as a helpful reference for independent learners at all levels.

This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism’s traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.

This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism’s traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.

This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.

Russian Syntax for Advanced Students is a textbook which illuminates relationships between words, phrases, clauses, and sentences. Using this book, students will acquire conscious knowledge of how words function in various syntactical constructions as applied to discourse, such as specific verbal situations, based not only on the underlying linguistic phenomena, but also on the content of sociolinguistic situations. The book helps develop communicative skills for advanced mastery and constantly emphasizes the importance of accuracy in the use of syntactic structures. Russian Syntax is designed primarily as a textbook for classroom use for intermediate-high and advanced-level students. The text is also suitable for independent study by graduate students in linguistics or pedagogy, as well as being a valuable reference for instructors.

Russian Syntax for Advanced Students is a textbook which illuminates relationships between words, phrases, clauses, and sentences. Using this book, students will acquire conscious knowledge of how words function in various syntactical constructions as applied to discourse, such as specific verbal situations, based not only on the underlying linguistic phenomena, but also on the content of sociolinguistic situations. The book helps develop communicative skills for advanced mastery and constantly emphasizes the importance of accuracy in the use of syntactic structures. Russian Syntax is designed primarily as a textbook for classroom use for intermediate-high and advanced-level students. The text is also suitable for independent study by graduate students in linguistics or pedagogy, as well as being a valuable reference for instructors.

Russian: A Comprehensive Grammar gives a practically complete description of the grammatical system of the contemporary Russian language, including phonetics, morphology, word formation, and syntax.It illuminates grammatical categories by focusing on forms and semantics, using as a basis the comparative analysis of language categories in Russian and English and accompanying accessible but not simplistic explanations with authentic examples. It employs a parallel presentation of grammatical and semantic information that elucidates important points and allows the exploration of alternative linguistic approaches.Russian: A Comprehensive Grammar serves a broad linguistic community, including students of Russian at any level, graduate students in linguistics or pedagogy, for independent study, and it can also be a valuable reference for instructors to mine for methodological material.

Russian: A Comprehensive Grammar gives a practically complete description of the grammatical system of the contemporary Russian language, including phonetics, morphology, word formation, and syntax.It illuminates grammatical categories by focusing on forms and semantics, using as a basis the comparative analysis of language categories in Russian and English and accompanying accessible but not simplistic explanations with authentic examples. It employs a parallel presentation of grammatical and semantic information that elucidates important points and allows the exploration of alternative linguistic approaches.Russian: A Comprehensive Grammar serves a broad linguistic community, including students of Russian at any level, graduate students in linguistics or pedagogy, for independent study, and it can also be a valuable reference for instructors to mine for methodological material.

This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.

Russian Nouns of Common Gender in Use is a unique collection of more than 150 nouns that mainly have grammatical features of the feminine gender, but refer to both male and female persons. This book provides the meanings of the words and explains their use in discourse with the help of examples from literature, media, and everyday speech. Each entry includes parallel English translations, which are analogous and appropriate to the given context. These enable the reader to easily grasp each word’s organic place and purpose in a particular sentence or situation. This book will serve as a valuable tool for students and instructors, translators, scholars, and anyone interested in learning the Russian language.