Ann Murray holds a PhD from University College Cork. She is currently writing a book on the war art of Otto Dix.

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• Table of Contents:List of FiguresForewordIntroductionAcknowledgementsList of ContributorsPart 1: Home FrontChapter 1: ‘Picturing’ World War I: German War Bond Posters and the Modern PublicClaire WhitnerChapter 2: ‘Our lovely countryside’. Capturing the Image of Britain at War in Commercial Advertising, 1939–1945David ClampinChapter 3: Picturing War’s Affects on the Home Front during the First World War Catherine SpeckChapter 4: America’s Forgotten Soldier Art: The World War Two Camp ArtPeter HarringtonChapter 5: Official Art of World War II by British Women Artists: Directing the GazeElizabeth de CacquerayPart II: Art, Activism and Resistance Chapter 6: Strategies of Liberation: Jean Dubuffet’s Métro SeriesCaroline PerrettChapter 7: Laughter at warAnna MarkowskaChapter 8: Another Egyptian Revolution: Khayamiya as War ArtSam BowkerChapter 9: Art and Conflict Resolution: Bloody Sunday, Northern IrelandMaebh O’ReganChapter 10: Terms of Engagement: Critical Reflections in Contemporary Canadian War ArtChristine ConleyPart III: Traumatic Memory and VictimhoodChapter 11: Kārlis Padegs’ Red Laugh – the High Song of InsanityJānis Kalnačs Chapter 12: Vietnam: Memory of Desecration in Brian dePalma’s Casualties of WarNanette NorrisChapter 13: The Soldier’s Diary: A Record of Erased TimeAgne NarušytėChapter 14: The Fakhouri File: Traumatic Memory in the work of Walid RaadAnna RådströmChapter 15: Polyrhythmics and Migrating VoicesLeonida KovačPart IV: Collective Memory and CommemorationChapter 16: A Paroxysm of Battle Painting: Adriano de Sousa Lopes and the Great War Carlos SilveiraChapter 17: Let There be No More War: Jack B. Yeats’s Grief in ContextElizabeth AnselChapter 18: Remembering Port-Said 1956: Images of Popular Resistance in Egyptian DocumentariesRania AbdelrahmanChapter 19: Visualising an ‘Orphaned’ Nation: Orphan Photographs of the Korean War in Visual CultureJung Joon LeeChapter 20: A Lost State of Plenitude: Commemorating the Homeland War in Public Spaces in Croatia Sandra Križić Roban

Ann Murray holds a PhD from University College Cork. She is currently writing a book on the war art of Otto Dix.

Select Guide Rating

• Table of Contents:List of FiguresForewordIntroductionAcknowledgementsList of ContributorsPart 1: Home FrontChapter 1: ‘Picturing’ World War I: German War Bond Posters and the Modern PublicClaire WhitnerChapter 2: ‘Our lovely countryside’. Capturing the Image of Britain at War in Commercial Advertising, 1939–1945David ClampinChapter 3: Picturing War’s Affects on the Home Front during the First World War Catherine SpeckChapter 4: America’s Forgotten Soldier Art: The World War Two Camp ArtPeter HarringtonChapter 5: Official Art of World War II by British Women Artists: Directing the GazeElizabeth de CacquerayPart II: Art, Activism and Resistance Chapter 6: Strategies of Liberation: Jean Dubuffet’s Métro SeriesCaroline PerrettChapter 7: Laughter at warAnna MarkowskaChapter 8: Another Egyptian Revolution: Khayamiya as War ArtSam BowkerChapter 9: Art and Conflict Resolution: Bloody Sunday, Northern IrelandMaebh O’ReganChapter 10: Terms of Engagement: Critical Reflections in Contemporary Canadian War ArtChristine ConleyPart III: Traumatic Memory and VictimhoodChapter 11: Kārlis Padegs’ Red Laugh – the High Song of InsanityJānis Kalnačs Chapter 12: Vietnam: Memory of Desecration in Brian dePalma’s Casualties of WarNanette NorrisChapter 13: The Soldier’s Diary: A Record of Erased TimeAgne NarušytėChapter 14: The Fakhouri File: Traumatic Memory in the work of Walid RaadAnna RådströmChapter 15: Polyrhythmics and Migrating VoicesLeonida KovačPart IV: Collective Memory and CommemorationChapter 16: A Paroxysm of Battle Painting: Adriano de Sousa Lopes and the Great War Carlos SilveiraChapter 17: Let There be No More War: Jack B. Yeats’s Grief in ContextElizabeth AnselChapter 18: Remembering Port-Said 1956: Images of Popular Resistance in Egyptian DocumentariesRania AbdelrahmanChapter 19: Visualising an ‘Orphaned’ Nation: Orphan Photographs of the Korean War in Visual CultureJung Joon LeeChapter 20: A Lost State of Plenitude: Commemorating the Homeland War in Public Spaces in Croatia Sandra Križić Roban

Ann Murray holds a PhD from University College Cork. She is currently writing a book on the war art of Otto Dix.

Select Guide Rating

• Table of Contents:List of FiguresForewordIntroductionAcknowledgementsList of ContributorsPart 1: Home FrontChapter 1: ‘Picturing’ World War I: German War Bond Posters and the Modern PublicClaire WhitnerChapter 2: ‘Our lovely countryside’. Capturing the Image of Britain at War in Commercial Advertising, 1939–1945David ClampinChapter 3: Picturing War’s Affects on the Home Front during the First World War Catherine SpeckChapter 4: America’s Forgotten Soldier Art: The World War Two Camp ArtPeter HarringtonChapter 5: Official Art of World War II by British Women Artists: Directing the GazeElizabeth de CacquerayPart II: Art, Activism and Resistance Chapter 6: Strategies of Liberation: Jean Dubuffet’s Métro SeriesCaroline PerrettChapter 7: Laughter at warAnna MarkowskaChapter 8: Another Egyptian Revolution: Khayamiya as War ArtSam BowkerChapter 9: Art and Conflict Resolution: Bloody Sunday, Northern IrelandMaebh O’ReganChapter 10: Terms of Engagement: Critical Reflections in Contemporary Canadian War ArtChristine ConleyPart III: Traumatic Memory and VictimhoodChapter 11: Kārlis Padegs’ Red Laugh – the High Song of InsanityJānis Kalnačs Chapter 12: Vietnam: Memory of Desecration in Brian dePalma’s Casualties of WarNanette NorrisChapter 13: The Soldier’s Diary: A Record of Erased TimeAgne NarušytėChapter 14: The Fakhouri File: Traumatic Memory in the work of Walid RaadAnna RådströmChapter 15: Polyrhythmics and Migrating VoicesLeonida KovačPart IV: Collective Memory and CommemorationChapter 16: A Paroxysm of Battle Painting: Adriano de Sousa Lopes and the Great War Carlos SilveiraChapter 17: Let There be No More War: Jack B. Yeats’s Grief in ContextElizabeth AnselChapter 18: Remembering Port-Said 1956: Images of Popular Resistance in Egyptian DocumentariesRania AbdelrahmanChapter 19: Visualising an ‘Orphaned’ Nation: Orphan Photographs of the Korean War in Visual CultureJung Joon LeeChapter 20: A Lost State of Plenitude: Commemorating the Homeland War in Public Spaces in Croatia Sandra Križić Roban