Wedding Spectacle Across Contemporary Media and Culture

Jilly Boyce Kay is Lecturer in Media and Communication at the University of Leicester. Her forthcoming book Gender, Media and Voice focusses on the mediation of women’s voices and the concept of "communicative injustice". She has also published on mediated feminist anger, newspaper representations of the women’s suffrage movement in Britain and Ireland, reality television, and women’s television histories. She is Editor of the Cultural Commons section in the European Journal of Cultural Studies. Melanie Kennedy is Lecturer in Media and Communication at the University of Leicester. She is the author of Tweenhood: Femininity and Celebrity in Tween Popular Culture. Her research examines media representations of gendered, age-defined, classed, raced identities (in particular tweens, young female celebrities, and teenage mothers), and the popular culture that addresses these subjects. She is the Associate Editor of Commentary and Criticism for Feminist Media Studies (Routledge).Helen Wood is Professor of Media and Cultural Studies at at Lancaster University. She has published widely on television, class and audiences, including the books Talking with Television and Reacting to Reality Television, and the edited volume Television for Women: New Directions (Routledge 2012). She is also Editor of the European Journal of Cultural Studies.

This fascinating collection significantly updates and expands our understanding of the popular cultures of weddings. Analyzing the wedding as a premiere site of spectacle, aspiration and the staging of social intimacy, it also unpacks its digitalization, globalization and complex affects and calls our attention to what we might think of as the growing distance between weddings and marriage.Diane Negra, Professor of Film Studies and Screen Culture, University College DublinGrounded in a critique of the class hierarchies and rampant inequalities of racialised heteropatriarchy, this book resists a straightforward dismissal of the mediated wedding spectacle. Instead, the plural feminist perspectives offer (com)passionate explorations of sites of resistance and ambivalence. They identify themes of identity, power, desire, consent, affect, camp, generation, while interrogating the mediated production of intimacies, connectivities and conflicts.Alison Winch, Lecturer in Media Studies, University of East Anglia

• List of FiguresList of ContributorsAbstractsSomething Old, Something New: The Gender Politics of the Wedding SpectacleJilly Boyce Kay, Melanie Kennedy and Helen Wood The Bride Wore Dread: Dissent and Desire for the Wedding Spectacle in Sex and the City, from the Box to the Big-screenDeborah Jermyn Making a Spectacle of Yourself: British-Asian Wedding Videography as Alternative Archives of BelongingJilly Boyce Kay and Kajal Nisha Patel Weddings, Anti-Heroines, and Postfeminist CynicismSuzanne Leonard Say Yes to the Dress and the Affective Rhythms of Repetition and ReflectionNatasha Whiteman and Helen Wood Big Fat Royal Weddings: Kate the "Commoner" Princess and Classed Moral EconomiesLaura Clancy "Time for all of us to Walk into the Sunshine Together": Glee, Same-sex Wedding Spectacle and the Imagining of Queer FuturesKate McNicholas Smith Tailored for Marriage, Ready for the Stage: Frames of the Family Regime on "The Marriage ShowFeyza Akınerdem Keeping it Classy: Wedding Dresses and DistinctionsJenny Thatcher Tailor-made Suits and "Crappy Drag Queens": Constructing Gay and Lesbian Weddings in Reality TVMichael Lovelock Spectacular Virgins: Purity Porn and the Making Uncanny of the White Wedding Melanie Kennedy On Blushing Brides and the Compulsory Logics of Hetero-Femininity: The Glow in Transatlantic Media CultureBrenda R. WeberIndex